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University of California • Berkeley

GEORGIAN POETRY

Published November 1919

GEORGIAN POETRY

1918-1919

NINTH THOUSAND

THE POETRY BOOKSHOP

35 Devonshire Street Theobalds Road W.C.I

MCMXX

TO

THOMAS HARDY

PREFATORY NOTE

is the fourth volume of the present series. 1 I hope it may be thought to show that what for want of a better word is called Peace has not interfered with the writing of good poetry.

Thanks and acknowledgements are due to Messrs. Beaumont, Blackwell, Collins, Constable, Fifield, Heine- mann, Seeker, Selwyn & Blount, and Sidgwick & Jack- son ; and to the Editors of The Anglo-French Review, The Athenaeum, The Chapbook, Land and Water, The Nation, The New Statesman, The New Witness, The New World, The Owl, The Spectator, Today, Voices, and The Westminster Gazette.

E. M. September, 1919.

CONTENTS

LASCELLES ABERCROMBIE

Witchcraft : New Style 3

GORDON BOTTOMLEY

Littleholme 1 1

FRANCIS BRETT YOUNG

Invocation (from * Poems ') 17

Prothalamion „ 18

February „ 2O

Lochanilaun „ 21

Lettermore „ 22

Song „ 24

The Leaning Elm „ 25

WILLIAM H. DAVIES

Lovely Dames (from ' Forty New Poems ') 29

When Yon Full Moon „ 30 On Hearing Mrs.Woodhouse

Play the Harpsichord „ 31

Birds „ 32

Oh, Sweet Content ! 33

A Child's Pet 34

England (from * Forty New Poems ') 35

The Bell „ 36

WALTER DE LA MARE

The Sunken Garden (from * Motley ') 39

Moonlight „ 40

The Tryst „ 41

The Linnet „ 42

The Veil 43

The Three Strangers (from * Motley ') 44

The Old Men „ 45

Fare Well „ 46

JOHN DRINKWATER

Deer (from ' Loyalties ') 49

Moonlit Apples (from ' Tides ') 50

Southampton Bells (from ' Loyalties ') 51

Chorus (from ' Lincoln ') 53

Habitation (from ' Loyalties ') 55

Passage „ 56

JOHN FREEMAN

O Muse Divine 59 The Wakers (from * Memories of Childhood') 61

The Body „ 62

Ten O'clock No More „ 64

The Fugitive „ 66

The Aide „ 67

Nearness „ 68

Night and Night 69

The Herd 70

WILFRID WILSON GIBSON

Wings (from ' Home ') 73

The Parrots 74

The Cakewalk 75

Driftwood 76

Quiet (from ' Home ') 77

Reveille „ 78

ROBERT GRAVES

A Ballad of Nursery Rhyme (from * Country 81

Sentiment ')

A Frosty Night „ 84

True Johnny „ 85

The Cupboard „ 87

The Voice of Beauty Drowned „ 88

Rocky Acres „ 90

D. H. LAWRENCE

Seven Seals (from ' New Poems ') 93

HAROLD MONRO

Gravity 07

Goldfish 100

Dog ioi

The Nightingale Near the House 103

Man Carrying Bale 104

THOMAS MOULT

For Bessie in the Garden 107

* Truly he hath a Sweet Bed ' no

Lovers' Lane 112

ROBERT NICHOLS

The Sprig of Lime 115

Seventeen n8

The Stranger 120

' O Nightingale my Heart ' 121

The Pilgrim 122

J. D. C. PELLOW

The Temple 125

SIEGFRIED SASSOON

Sick Leave (from * War Poems ') 129 Banishment „ 130 Repression of War Ex- perience „ I3I Does it Matter „ 133 Concert Party „ 134 Songbooks of the War „ 135 The Portrait 136 Thrushes (from * War Poems ') 137 Everyone Sang „ 138

EDWARD SHANKS

A Night-Piece (from ' The Queen of China ') 141

In Absence „ 142

The Glow-worm „ 143

The Cataclysm „ 144

A Hollow Elm 145 Fete Galante (from ' The Queen of China ') 146

Song „ 154

FREDEGOND SHOVE

A Dream in Early Spring (from ' Dreams and

Journeys ') 157

The World „ 158

The New Ghost „ 160

A Man Dreams that he is the Creator „ 162

J. C. SQUIRE

Rivers (from ' Poems, First Series ') 165

Epitaph in Old Mode 172

Sonnet (from * Poems, First Series ') 173 The Birds (from 'The Birds and other Poems') 174

W. J. TURNER

Silence (from ' The Dark Fire ') 179

Kent in War „ 180

Talking with Soldiers „ 182

Song „ 184

The Princess „ 185

Peace „ 186

Death 187

LASCELLES ABERCROMBIE

WITCHCRAFT: NEW STYLE Lascelles

Abercrombie

The sun drew off at last his piercing fires. Over the stale warm air, dull as a pond And moveless in the grey quieted street, Blue magic of a summer evening glowed. The sky, that had been dazzling stone all day, Hollowed in smooth hard brightness, now dissolved To infinite soft depth, and smoulder 'd down Low as the roofs, dark burning blue, and soared Clear to that winking drop of liquid silver, The first exquisite star. Now the half-light Tidied away the dusty litter parching Among the cobbles, veiled in the colour of distance Shabby slates and brickwork mouldering, turn'd The hunchback houses into patient things Resting ; and golden windows now began.

A little brisk grey slattern of a woman,

Pattering along in her loose-heel'd clogs,

Pusht the brass-barr'd door of a public-house ;

The spring went hard against her ; hand and knee

Shoved their weak best. As the door poised ajar,

Hullabaloo of talking men burst out,

A pouring babble of inflamed palaver,

And overriding it and shouted down

High words, jeering or downright, broken like

Crests that leap and stumble in rushing water.

Just as the door went wide and she stept in,

* She cannot do it ! ' one was bawling out :

A glaring hulk of flesh with a bull's voice.

He finger'd with his neckerchief, and stretcht

His throat to ease the anger of dispute,

Then spat to put a full stop to the matter.

Lascelles The little woman waited, with one hand Abercrombie Propping the door, and smiled at the loud man. They saw her then ; and the sight was enough To gag the speech of every drinker there : The din fell down like something chopt off short. Blank they all wheel'd towards her, with their mouths Still gaping as though full of voiceless words. She let the door slam to ; and all at ease, Amused, her smile wrinkling about her eyes, Went forward : they made room for her quick enough* Her chin just topt the counter ; she gave in Her bottle to the potboy, tuckt it back, Full of bright tawny ale, under her arm, Rapt down the coppers on the planisht zinc, And turned : and no word spoken all the while. The first voice, in that silent crowd, wras hers, Her light snickering laugh, as she stood there Pausing, scanning the sawdust at her feet. Then she switcht round and faced the positive man Whose strong ' She cannot do it ! ' all still felt Huskily shouting in their guilty ears. * She can't, eh ? She can't do it ? '—Then she'd

heard !

The man, inside his ruddy insolent flesh, Had hoped she did not hear. His barrel chest Gave a slight cringe, as though the glint of her eyes Prickt him. But he stood up to her awkwardly bold, One elbow on the counter, gripping his mug Like a man holding on to a post for safety.

The Man You can't do what's not nature : nobody can.

The Woman And louts like you have nature in your pocket ?

The Man I don't say that —

The Woman If you kept saying naught,

No one would guess the fool you are.

Second Man Almost Lascelles

My very words ! Abercrombie

The Woman O you're the knowing man !

The spark among the cinders ! First Man You can't fetch

A free man back, unless he wants to come. The Woman Nay, I'll be bound he doesn't want to come I Third Man And he won't come : he told me flat he wouldn't. The Woman Are you there too ? Third Man And if he does come back

It will be devilry brought him. The Woman I shall bring him ; —

To-night.

First Man How will he come ?

The Woman Running : unless

He's broke his leg, and then he'll have to come

Crawling : but he will come. First Man How do you know

What he may choose to do, three counties off ? The Woman He choose ?

Third Man You haven't got him on a lead.

The Woman Haven't I though !

Second Man That's right ; it's what I said.

The Woman Ay, there are brains in your family. First Man You have

Some sort of pull on him, to draw him home ? The Woman You may say that : I have hold of his mind.

And I can slack it off or fetch it taut,

And make him dance a score of miles away

An answer to the least twangling thrum

I play on it. He thought he lurkt at last

Safely ; and all the while, what has he been ?

An eel on the end of a night line ; and it's time

I haul'd him in. You'll see, to-night I'll land him.

Third Man Bragging's a light job.

The Woman You daren't let me take

Your eyes in mine ! — Haul, did I say ? no need : I give his mind a twitch, and up he comes Tumbling home to me. Whatever work he's at, He drops the thing he holds like redhot iron And runs — runs till he falls down like a beast Pole-axt, and grunts for breath ; then up and on, No matter does he know the road or not : The strain I put on his mind will keep him going Right as a homing-pigeon.

First Man Devilry

I call it.

The Woman And you're welcome.

Second Man But the law

Should have a say here.

The Woman What, isn't he mine,

My own ? There's naught but what I please about it.

Third Man Why did you let him go ?

The Woman To fetch him back !

For I enjoy this, mind. There's many a one Would think, to see me, There goes misery ! There's a queer starveling for you ! — and I do A thing that makes me like a saint in glory, The life of me the sound of a great tune Your flesh could never hear : I can send power Delighting out of me ! O, the mere thought Has made my blood go smarting in my veins, Such a flame glowing along it ! — And all the same I'll pay him out for sidling off from me. But I'll have supper first.

When she was gone, Lascelles

Their talk could scarcely raise itself again Abercrombie

Above a grumble. But at last a cry Sharp- pitcht came startling in from the street : at once Their moody talk exploded into flare Of swearing hubbub, like gunpowder dropt On embers ; mugs were clapt down, out they bolted Rowdily jostling, eager for the event.

All down the street the folk throng'd out of doors,

But left a narrow track clear in the middle ;

And there a man came running, a tall man

Running desperately and slowly, pounding

Like a machine, so evenly, so blindly ;

And regularly his trotting body wagg'd.

Only one foot clatter'd upon the stones ;

The other padded in his dogged stride :

The boot was gone, the sock hung frayed in shreds

About his ankle, the foot was blood and earth ;

And never a limp, not the least flinch, to tell

The wounded pulp hit stone at every step.

His clothes were tatter 'd and his rent skin showed,

Harrowed with thorns. His face was pale as putty,

Thrown far back ; clots of drooping spittle foamed

On his moustache, and his hair hung in tails,

Mired with sweat ; and sightless in their sockets

His eyeballs turned up white, as dull as pebbles.

Evenly and doggedly he trotted,

And as he went he moaned. Then out of sight

tound a corner he swerved, and out of hearing.

-' The law should have a say to that, by God ! '

GORDON BOTTOMLEY

LITTLEHOLME Gordon

Bottomley (Toy. S. and A. W. S.)

In entering the town, where the bright river

Shrinks in its white stone bed, old thoughts return

Of how a quiet queen was nurtured here

In the pale, shadowed ruin on the height ;

Of how, when the hoar town was new and clean

And had not grown a part of the gaunt fells

That peered down into it, the burghers wove

On their small, fireside looms green, famous webs

To cling on lissome, tower- dwelling ladies

Who rode the hills swaying like green saplings,

Or mask tall, hardy outlaws from pursuit

Down beechen caverns and green under-lights,

(The rude, vain looms are gone, their beams are broken;

Their webs are now not seen, but memory

Still tangles in their mesh the dews they swept

Like ruby sparks, the lights they took, the scents

They held, the movement of their shapes and shades) ;

Of how the Border burners in cold dawns

Of Summer hurried North up the high vales

Past smoking farmsteads that had lit the night

And surf of crowding cattle ; and of how

A laughing prince of cursed, impossible hopes

Rode through the little streets Northward to battle

And to defeat, to be a fading thought,

Belated in dead mountains of romance.

A carver at his bench in a high gable Hears the sharp stream close under, far below Tinkle and rustle, and no other sound Arises there to him to change his thoughts

II

Gordon Of the changed, silent town and the dead hands Bottomley That made it and maintained it, and the need For handiwork and happy work and work To use and ease the mind if such sweet towns Are to be built again or live again.

The long town ends at Littleholme, where the road

Creeps up to hills of ancient-looking stone.

Under the hanging eaves at Littleholme

A latticed casement peeps above still gardens

Into a crown of druid-solemn trees

Upon a knoll as high as a small house,

A shapely mound made so by nameless men

Whose smoothing touch yet shows through the green

hide.

When the slow moonlight drips from leaf to leaf Of that sharp, plumy gloom, and the hour comes When something seems awaited, though unknown, There should appear between those leaf-thatched piles Fresh, long-limbed women striding easily, And men whose hair-plaits swing with their shagged

arms ;

Returning in that equal, echoed light Which does not measure time to the dear garths That were their own when from white Norway coasts They landed on a kind, not distant shore, And to the place where they have left their clothing, Their long-accustomed bones and hair and beds That once were pleasant to them, in that barrow Their vanished children heaped above them dead : For in the soundless stillness of hot noon The mind of man, noticeable in that knoll, Enhances its dark presence with a life More vivid and more actual than the life

12

Of self-sown trees and untouched earth. It is seen Gordon

What aspect this land had in those first eyes : Bottomley

In that regard the works of later men

Fall in and sink like lime when it is slaked,

Staid, youthful queen and weavers are unborn,

And the new crags the Northmen saw are set

About an earth that has not been misused.

FRANCIS BRETT YOUNG

INVOCATION Francis

Brett

Whither, O, my sweet mistress, must I follow thee ? Young For when I hear thy distant footfall nearing, And wait on thy appearing, Lo ! my lips are silent : no words come to me.

Once I waylaid thee in green forest covers,

Hoping that spring might free my lips with gentle Alas ! her presence lingers [fingers ;

No longer than on the plain the shadow of brown kestrel hovers.

Through windless ways of the night my spirit followed after ;—

Cold and remote were they, and there, possessed

By a strange unworldly rest, Awaiting thy still voice heard only starry laughter.

The pillared halls of sleep echoed my ghostly tread.

Yet when their secret chambers I essayed

My spirit sank, dismayed, Waking in fear to find the new-born vision fled.

Once indeed — but then my spirit bloomed in leafy rapture —

I loved ; and once I looked death in the eyes :

So, suddenly made wise, Spoke of such beauty as I may never recapture. . . .

Whither, O, divine mistress, must I then follow thee ?

Is it only in love . . . say, is it only in death

That the spirit blossometh, And words that may match my vision shall come to me ?

'7

Francis PROTHALAMION

Brett

Young When the evening came my love said to me :

Let us go into the garden now that the sky is cool ; The garden of black hellebore and rosemary,

Where wild woodruff spills in a milky pool.

Low we passed in the twilight, for the wavering heat Of day had waned ; and round that shaded plot

Of secret beauty the thickets clustered sweet :

Here is heaven, our hearts whispered, but our lips spake not.

Between that old garden and seas of lazy foam Gloomy and beautiful alleys of trees arise

With spire of cypress and dreamy beechen dome,

So dark that our enchanted sight knew nothing but the skies :

Veiled with a soft air, drench 'd in the roses' musk Or the dusky, dark carnation's breath of clove :

No stars burned in their deeps, but through the dusk I saw my love's eyes, and they were brimmed with love.

No star their secret ravished, no wasting moon

Mocked the sad transience of those eternal hours :

Only the soft, unseeing heaven of June, The ghosts of great trees, and the sleeping flowers.

For doves that crooned in the leafy noonday now Were silent ; the night- jar sought his secret covers,

Nor even a mild sea- whisper moved a creaking bough — Was ever a silence deeper made for lovers ?

18

Was ever a moment ineeter made for love ? Francis

Beautiful are your closed lips beneath my kiss ; Brett

And all your yielding sweetness beautiful — Young Oh, never in all the world was such a night as this !

Francis FEBRUARY

Brett

Young The robin on my lawn

He was the first to tell How, in the frozen dawn, This miracle befell, Waking the meadows white With hoar, the iron road Agleam with splintered light, And ice where water flowed : Till, when the low sun drank Those milky mists that cloak Hanger and hollied bank, The winter world awoke To hear the feeble bleat Of lambs on downland farms : A blackbird whistled sweet ; Old beeches moved their arms Into a mellow haze Aerial, newly- born : And I, alone, agaze, Stood waiting for the thorn To break in blossom white, Or burst in a green flame. . . So, in a single night, Fair February came, Bidding my lips to sing Or whisper their surprise, With all the joy of spring And morning in her eyes.

20

LOCHANILAUN Francis

Brett

This is the image of my last content : Young

My soul shall be a little lonely lake, So hidden that no shadow of man may break The folding of its mountain battlement ; Only the beautiful and innocent Whiteness of sea-born cloud drooping to shake Cool rain upon the reed-beds, or the wake Of churn'd cloud in a howling wind's descent. For there shall be no terror in the night When stars that I have loved are born in me, And cloudy darkness I will hold most fair ; But this shall be the end of my delight : That you, my lovely one, may stoop and see Your image in the mirrored beauty there,

21

LETTERMORE

These winter days on Lettermore The brown west wind it sweeps the bay, And icy rain beats on the bare Unhomely fields that perish there : The stony fields of Lettermore That drink the white Atlantic spray.

And men who starve on Lettermore, Cursing the haggard, hungry surf, Will souse the autumn's bruised grains To light dark fires within their brains And fight with stones on Lettermore Or sprawl beside the smoky turf.

When spring blows over Lettermore To bloom the ragged furze with gold, The lovely south wind's living breath Is laden with the smell of death : For fever breeds on Lettermore To waste the eyes of young and old.

A black van comes to Lettermore ; The horses stumble on the stones, The drivers curse, — for it is hard To cross the hills from Oughterard And cart the sick from Lettermore : A stinking load of rags and bones.

But you will go to Lettermore When white sea-trout are on the run, When purple glows between the rocks About Lord Dudley's fishing box

Adown the road to Lettermore, Francis

And wide seas tarnish in the sun. Brett

Young

And so you'll think of Lettermore As a lost island of the blest : With peasant lovers in a blue Dim dusk, with heather drench 'd in dew, And the sweet peace of Lettermore Remote and dreaming in the West.

Francis SONG

Brett

Ybuiig Why have you stolen my delight

In all the golden shows of Spring When every cherry-tree is white

And in the limes the thrushes sing,

O fickler than the April day,

O brighter than the golden broom,

O blither than the thrushes' lay, O whiter than the cherry-bloom,

O sweeter than all things that blow . . .

Why have you only left for me The broom, the cherry's crown of snow,

And thrushes in the linden-tree ?

THE LEANING ELM Francis

Brett

Before my window, in days of winter hoar Young

Huddled a mournful wood :

Smooth pillars of beech, domed chestnut, sycamore,

In stony sleep they stood :

But you, unhappy elm, the angry west

Had chosen from the rest,

Flung broken on your brothers' branches bare,

And left you leaning there

So dead that when the breath of winter cast

Wild snow upon the blast,

The other living branches, downward bowed,

Shook free their crystal shroud

And shed upon your blackened trunk beneath

Their livery of death

On windless nights between the beechen bars

I watched cold stars

Throb whitely in the sky, and dreamily

Wondered if any life lay locked in thee :

If still the hidden sap secretly moved

As water in the icy winterbourne

Floweth unheard :

And half I pitied you your trance forlorn :

You could not hear, I thought, the voice of any bird,

The shadowy cries of bats in dim twilight

Or cool voices of owls crying by night . . .

Hunting by night under the horned moon :

Yet half I envied you your wintry swoon,

Till, on this morning mild, the sun, new-risen

Steals from his misty prison ;

The frozen fallows glow, the black trees shaken

In a clear flood of sunlight vibrating awaken :

Francis And lo, your ravaged bole, beyond belief Brett Slenderly fledged anew with tender leaf Young As pale as those twin vanes that break at last

In a tiny fan above the black beech-mast

Where no blade springeth green

But pallid bells of the shy helleborine.

What is this ecstasy that overwhelms

The dreaming earth ? See, the embrowned elms

Crowding purple distances warm the depths of the wood :

A new-born wind tosses their tassels brown,

His white clouds dapple the down :

Into a green flame bursting the hedgerows stand.

Soon, with banners flying, Spring will walk the land . . .

There is no day for thee, my soul, like this,

No spring of lovely words. Nay, even the kiss

Of mortal love that maketh man divine

This light cannot outshine :

Nay, even poets, they whose frail hands catch

The shadow of vanishing beauty, may not match

This leafy ecstasy. Sweet words may cull

Such magical beauty as time may not destroy ;

But we, alas, are not more beautiful :

We cannot flower in beauty as in joy.

We sing, our mused words are sped, and then

Poets are only men

Who age, and toil, and sicken. . . . This maim'd tree

May stand in leaf when I have ceased to be.

26

WILLIAM H. DA VIES

LOVELY DAMES W. H.

Davies

Few are my books, but my small few have told Of many a lovely dame that lived of old ; And they have made me see those fatal charms Of Helen, which brought Troy so many harms ; And lovely Venus, when she stood so white Close to her husband's forge in its red light. I have seen Dian's beauty in my dreams, When she had trained her looks in all the streams She crossed to Latmos and Endymion ; And Cleopatra's eyes, that hour they shone The brighter for a pearl she drank to prove How poor it was compared to her rich love : But when I look on thee, love, thou dost give Substance to those fine ghosts, and make them live.

W. H. WHEN YON FULL MOON

Davies

When yon full moon's with her white fleet of stars,

And but one bird makes music in the grove ; When you and I are breathing side by side, Where our two bodies make one shadow, love ;

Not for her beauty will I praise the moon, But that she lights thy purer face and throat ;

The only praise I'll give the nightingale Is that she draws from thee a richer note.

For, blinded with thy beauty, I am filled, Like Saul of Tarsus, with a greater light ;

When he had heard that warning voice in Heaven, And lost his eyes to find a deeper sight.

Come, let us sit in that deep silence then, Launched on love's rapids, with our passions proud

That makes all music hollow — though the lark Raves in his windy heights above a cloud.

ON HEARING MRS. WOODHOUSE PLAY W. H. THE HARPSICHORD Davies

We poets pride ourselves on what

We feel, and not what we achieve ; The world may call our children fools,

Enough for us that we conceive. A little wren that loves the grass Can be as proud as any lark

That tumbles in a cloudless sky, Up near the sun, till he becomes

The apple of that shining eye.

So, lady, I would never dare

To hear your music ev'ry day ; With those great bursts that send my nerves

In waves to pound my heart away ; And those small notes that run like mice Bewitched by light ; else on those keys —

My tombs of song — you should engrave : ' My music, stronger than his own,

Has made this poet my dumb slave/

31

BIRDS

When our two souls have left this mortal clay And, seeking mine, you think that mine is lost —

Look for me first in that Elysian glade Where Lesbia is, for whom the birds sing most.

What happy hearts those feathered mortals have, That sing so sweet when they're wet through in spring !

For in that month of May when leaves are young, Birds dream of song, and in their sleep they sing.

And when the spring has gone and they are dumb, Is it not fine to watch them at their play :

Is it not fine to see a bird that tries To stand upon the end of every spray ?

See how they tilt their pretty heads aside : When women make that move they always please.

What cosy homes birds make in leafy walls That Nature's love has ruined — and the trees.

Oft have I seen in fields the little birds

Go in between a bullock's legs to eat ; But what gives me most joy is when I see

Snow on my doorstep, printed by their feet.

•^/Vfe/'^r~7

OH, SWEET CONTENT ! W. H.

Davies Oh, sweet content, that turns the labourer's sweat

To tears of joy, and shines the roughest face ; How often have I sought you high and low, And found you still in some lone quiet place ;

Here, in my room, when full of happy dreams,

With no life heard beyond that merry sound Of moths that on my lighted ceiling kiss

Their shadows as they dance and dance around ;

Or in a garden, on a summer's night,

When I have seen the dark and solemn air Blink with the blind bats' wings, and heaven's bright face

Twitch with the stars that shine in thousands there.

W. H. A CHILD'S PET

Davies

When I sailed out of Baltimore

With twice a thousand head of sheep, They would not eat, they would not drink, But bleated o'er the deep.

Inside the pens we crawled each day, To sort the living from the dead ;

And when we reached the Mersey's mouth Had lost five hundred head.

Yet every night and day one sheep, That had no fear of man or sea,

Stuck through the bars its pleading face, And it was stroked by me.

And to the sheep-men standing near, * You see,' I said, ' this one tame sheep :

It seems a child has lost her pet, And cried herself to sleep/

So every time we passed it by,

Sailing to England's slaughter-house,

Eight ragged sheep-men — tramps and thieves- Would stroke that sheep's black nose.

ENGLAND W. H.

Davies

We have no grass locked up in ice so fast That cattle cut their faces and at last, When it is reached, must lie them down and starve, With bleeding mouths that freeze too hard to move. We have not that delirious state of cold That makes men warm and sing when in Death's hold. We have no roaring floods whose angry shocks Can kill the fishes dashed against their rocks. We have no winds that cut down street by street, As easy as our scythes can cut down wheat. No mountains here to spew their burning hearts Into the valleys, on our human parts. No earthquakes here, that ring church bells afar, A hundred miles from where those earthquakes are. We have no cause to set our dreaming eyes, Like Arabs, on fresh streams in Paradise. We have no wilds to harbour men that tell More murders than they can remember well. No woman here shall wake from her night's rest, To find a snake is sucking at her breast. Though I have travelled many and many a mile, And had a man to clean my boots and smile With teeth that had less bone in them than gold — Give me this England now for all my world.

35

W. H. THE BELL

Davies

It is the bell of death I hear, Which tells me my own time is near, When I must join those quiet souls Where nothing lives but worms and moles ; And not come through the grass again, Like worms and moles, for breath or rain ; Yet let none weep when my life's through, For I myself have wept for few.

The only things that knew me well Were children, dogs, and girls that fell ; I bought poor children cakes and sweets, Dogs heard my voice and danced the streets ; And, gentle to a fallen lass, I made her weep for what she was. Good men and women know not me, Nor love nor hate the mystery.

WALTER DE LA MARE

THE SUNKEN GARDEN Walter De

La Mare

Speak not — -whisper not ; Here bloweth thyme and bergamot ; Softly on the evening hour, Secret herbs their spices shower, Dark-spiked rosemary and myrrh, Lean-stalked, purple lavender ; Hides within her bosom, too, All her sorrows, bitter rue.

Breathe not — trespass not ; Of this green and darkling spot, Latticed from the moon's beams, Perchance a distant dreamer dreams ; Perchance upon its darkening air, The unseen ghosts of children fare, Faintly swinging, sway and sweep, Like lovely sea- flowers in its deep ; While, unmoved, to watch and ward, 'Mid its gloomed and daisied sward, Stands with bowed and dewy head That one little leaden Lad,

39

Walter De MOONLIGHT

La Mare

The far moon maketh lovers wise

In her pale beauty trembling down, Lending curved cheeks, dark lips, dark eyes,

A strangeness not their own. And, though they shut their lids to kiss, Injstarless darkness peace to win, Even on that secret world from this

Her twilight enters in.

THE TRYST Walter De

La Mare

Flee into some forgotten night and be Of all dark long my moon-bright company : Beyond the rumour even of Paradise come, There, out of all remembrance, make our home : Seek we some close hid shadow for our lair, Hollowed by Noah's mouse beneath the chair Wherein the Omnipotent, in slumber bound, Nods till the piteous Trump of Judgment sound. Perchance Leviathan of the deep sea Would lease a lost mermaiden's grot to me, There of your beauty we would joyance make — A music wistful for the sea-nymph's sake : Haply Elijah, o'er his spokes of fire, Cresting steep Leo, or the heavenly Lyre, Spied, tranced in azure of inanest space, Some eyrie hostel, meet for human grace, Where two might happy be — just you and I — Lost in the uttermost of Eternity. Think 1 in Time's smallest clock's minutest beat Might there not rest be found for wandering feet ? Or, 'twixt the sleep and wake of Helen's dream, Silence wherein to sing love's requiem ?

No, no. Nor earth, nor air, nor fire, nor deep Could lull poor mortal longingness asleep. Somewhere there nothing is ; and there lost Man Shall win what changeless vague of peace he can.

Walter De THE LINNET

La Mare

Upon this leafy bush

With thorns and roses in it,

Flutters a thing of light,

A twittering linnet.

And all the throbbing world

Of dew and sun and air

By this small parcel of life

Is made more fair ;

As if each bramble-spray

And mounded gold- wreathed furze,

Harebell and little thyme,

Were only hers ;

As if this beauty and grace

Did to one bird belong,

And, at a flutter of wing,

Might vanish in song.

THE VEIL Walter De

La Mare

I think and think : yet still I fail — Why must this lady wear a veil ? Why thus elect to mask her face Beneath that dainty web of lace ? The tip of a small nose I see, And two red lips, set curiously Like twin-born berries on one stem, And yet, she has netted even them. Her eyes, 'tis plain, survey with ease Whate'er to glance upon they please. Yet, whether hazel, gray, or blue, Or that even lovelier lilac hue, I cannot guess : why — why deny Such beauty to the passer-by ? Out of a bush a nightingale May expound his song ; from 'neath that veil A happy mouth no doubt can make English sound sweeter for its sake. But then, why muffle in like this What every blossomy wind would kiss ? Why in that little night disguise A daybreak face, those starry eyes ?

Walter De THE THREE STRANGERS

La Mare

Far are those tranquil hills, Dyed with fair evening's rose ; On urgent, secret errand bent, A traveller goes.

Approach him strangers three, Barefooted, cowled ; their eyes Scan the lone, hastening solitary With dumb surmise.

One instant in^close speech With them he doth confer : God-sped, he hasteneth on, That anxious traveller . . .

I was that man — in a dream : And each world's night in vain I patient wait on sleep to unveil Those vivid hills again.

Would that they three could know How yet burns on in me Love — from one lost in Paradise — For their grave courtesy.

44

THE OLD MEN Walter De

La Mare

Old and alone, sit we, Caged, riddle-rid men ; Lost to earth's ' Listen ! ' and ' See ! ' Thought's ' Wherefore ? ' and ' When ? '

Only far memories stray

Of a past once lovely, but now

Wasted and faded away,

Like green leaves from the bough.

Vast broods the silence of night, The ruinous moon Lifts on our faces her light, Whence all dreaming is gone.

We speak not ; trembles each head ; In their sockets our eyes are still ; Desire as cold as the dead ; Without wonder or will.

And One, with a lanthorn, draws near, At clash with the moon in our eyes : ' Where art thou ? ' he asks : ' I am here,' One by one we arise.

And none lifts a hand to withhold A friend from the touch of that foe : Heart cries unto heart, ' Thou art old ! ' Yet reluctant, we go.

45

Walter De FARE WELL

La Marc

When I lie where shades of darkness Shall no more assail mine eyes, Nor the rain make lamentation

When the wind sighs ; How will fare the world whose wonder Was the very proof of me ? Memory fades, must the remembered Perishing be ?

Oh, when this my dust surrenders Hand, foot, lip, to dust again, May those loved and loving faces

Please other men ! May the rusting harvest hedgerow Still the Traveller's Joy entwine, And as happy children gather

Posies once mine.

Look thy last on all things lovely,

Every hour. Let no night

Seal thy sense in deathly slumber

Till to delight

Thou have paid thy utmost blessing ; Since that all things thou wouldst praise Beauty took from those who loved them

In other days.

JOHN DRINKWATER

DEER John

Drinkwater

Shy in their herding dwell the fallow deer. They are spirits of wild sense. Nobody near Comes upon their pastures. There a life they live, Of sufficient beauty, phantom, fugitive Treading as in jungles free leopards do, Printless as evelight, instant as dew. The great kine are patient, and home-coming sheep Know our bidding. The fallow deer keep Delicate and far their counsels wild, Never to be folded reconciled To the spoiling hand as the poor flocks are ; Lightfoot, and swift, and unfamiliar, These you may not hinder, unconfined Beautiful flocks of the mind.

49

John MOONLIT APPLES

Drinkwater

At the top of the house the apples are laid in rows, And the skylight lets the moonlight in, and those Apples are deep-sea apples of green. There goes A cloud on the moon in the autumn night.

A mouse in the wainscot scratches, and scratches, and

then

There is no sound at the top of the house of men Or mice ; and the cloud is blown, and the moon again Dapples the apples with deep-sea light.

They are lying in rows there, under the gloomy beams ; On the sagging floor ; they gather the silver streams Out of the moon, those moonlit apples of dreams, And quiet is the steep stair under.

In the corridors under there is nothing but sleep. And stiller than ever on orchard boughs they keep Tryst with the moon, and deep is the silence, deep On moon-washed apples of wonder.

SOUTHAMPTON BELLS John

Drinkwater

Long ago some builder thrust Heavenward in Southampton town His spire and beamed his bells, Largely conceiving from the dust That pinnacle for ringing down Orisons and Noels.

In his imagination rang, Through generations challenging His peal on simple men, Who, as the heart within him sang, In daily townfaring should sing By year and year again.

II

Now often to their ringing go

The bellmen with lean Time at heel,

Intent on daily cares ;

The bells ring high, the bells ring low,

The ringers ring the builder's peal

Of tidings unawares.

And all the bells might well be dumb For any quickening in the street Of customary ears ; And so at last proud builders come With dreams and virtues to defeat Among the clouding years.

John HI

Now, waiting on Southampton sea For exile, through the silver night I hear Noel ! Noel ! Through generations down to me Your challenge, builder, comes aright, Bell by obedient bell.

You wake an hour with me ; then wide

Though be the lapses of your sleep

You yet shall wake again ;

And thus, old builder, on the tide

Of immortality you keep

Your way from brain to brain.

CHORUS FROM LINCOLN John

Drinkwater

You who have gone gathering

Cornflowers and meadowsweet, Heard the hazels glancing down

On September eves, Seen the homeward rooks on wing

Over fields of golden wheat, And the silver cups that crown

Water-lily leaves ;

You who know the tenderness

Of old men at eve-tide, Coming from the hedgerows,

Coming from the plough, And the wandering caress

Of winds upon the woodside, When the crying yaffle goes

Underneath the bough ;

You who mark the flowing

Of sap upon the May-time, And the waters welling

From the watershed, You who count the growing

Of harvest and hay-time, Knowing these the telling

Of your daily bread ;

You who cherish courtesy

With your fellows at your gate, And about your hearthstone sit

Under love's decrees,

53

John You who know that death will be

Drinkwater Speaking with you soon or late,

Kinsmen, what is mother-wit But the light of these ?

Knowing these, what is there more

For learning in your little years ? Are not these all gospels bright

Shining on your day ? How then shall your hearts be sore

With envy and her brood of fears, How forget the words of light

From the mountain-way ...

Blessed are the merciful . . .

Does not every threshold seek Meadows and the flight of birds

For compassion still ? Blessed are the merciful . . .

Are we pilgrims yet to speak Out of Olivet the words

Of knowledge and good- will ?

HABITATION John

Drinkwater

High up in the sky there, now, you know, In this May twilight, our cottage is asleep, Tenantless, and no creature there to go Near it but Mrs. Fry's fat cows, and sheep Dove-coloured, as is Cotswold. No one hears Under that cherry-tree the night-jars yet, The windows are uncurtained ; on the stairs Silence is but by tip- toe silence met. All^doors are fast there. It is a dwelling put by From use for a little, or long, up there in the sky.

Empty ; a walled-in silence, in this twilight of May — A home for lovers, and friendly withdrawing, and sleep, With none to love there, nor laugh, nor climb from the day To the candles and linen . . . Yet in the silence creep, This minute, I know, little ghosts, little virtuous lives, Breathing upon that still, insensible place, Touching the latches, sorting the napkins and knives, And such for the comfort of being, and bowls for the grace, That roses will brim ; they are creeping from that room

to this,

One room, and two, till the four are visited . . . they, Little ghosts, little lives, are our thoughts in this twi- light of May,

Signs that even the curious man would miss, Of travelling lovers to Cotswold, signs of an hour, Very soon, when up from the valley in June will ride Lovers by Lynch to Oakridge up in the wide Bow of the hill, to a garden of lavender flower . . . The doors are locked ; no foot falls ; the hearths are

dumb — But we are there — we are waiting ourselves who come.

55

John PASSAGE

Drinkwater

When you deliberate the page

Of Alexander's pilgrimage,

Or say — ' It is three years, or ten,

Since Easter slew Connolly's men/

Or prudently to judgment come

Of Antony or Absalom,

And think how duly are designed

Case and instruction for the mind,

Remember then that also we,

In a moon's course, are history.

JOHN FREEMAN

O MUSE DIVINE John

Freeman

O thou, my Muse, Beside the Kentish River running Through water-meads where dews Tossed flashing at thy feet And tossing flashed again When the timid herd By thy swift passing stirred Up-leapt and ran ;

Thou that didst fleet Thy shadow over dark October hills By Aston, Weston, Saintbury, Willersey, Winchcombe, and all the combes and hills Of the green lonely land ;

Thou that in May

Once when I saw thee sunning

Thyself so lovely there

Than the flushed flower more fair

Fallen from the wild apple spray,

Didst rise and sprinkling sunlight with thy hand

Shadow-like disappear in the deep-shadowy hedges

Between forsaken Buckle Street and the sparse sedges

Of young twin-breasted Honeybourne ; —

O thou, my Muse,

Scarce longer seen than the brief hues

Of winter cloud that flames

Over the tarnished silver Thames ;

So often nearing,

As often disappearing,

With thy body's shadow brushing

59

John My brain at midnight, lightly touching ;

Freeman O yield thee, Muse, to me,

No more in dream delights and morn forgettings,

But in a ferny hollow I know well

And thou know'st well, warm-proof 'd 'gainst the wind's frettings.

. . . Bring thou thyself, and there

In that warm ferny hollow where the sun

Slants one gold beam and no light else but thine

And my eyes' happy shine —

There, O lovely Muse,

Shall on thy shining body be begot,

Fruit of delights a many mingling in one,

Thy child and mine, a lovely shape and thought ;

My child and thine,

O Muse divine !

THE WAKERS John

Freeman

The joyous morning ran and kissed the grass And drew his fingers through her sleeping hair, And cried, ' Before thy flowers are well awake Rise, and the lingering darkness from thee shake.

' Before the daisy and the sorrel buy

Their brightness back from that close-folding night,

Come, and the shadows from thy bosom shake,

Awake from thy thick sleep, awake, awake 1 '

Then the grass of that mounded meadow stirred Above the Roman bones that may not stir

Though joyous morning whispered, shouted, sang :

The grass stirred as that happy music rang.

O, what a wondrous rustling everywhere !

The steady shadows shook and thinned and died,

The shining grass flashed brightness back for bright- ness,

And sleep was gone, and there was heavenly lightness.

As if she had found wings, light as the wind, The grass flew, bent with the wind, from east to west, Chased by one wild grey cloud, and flashing all Her dews for happiness to hear morning call. . . .

But even as I stepped out the brightness dimmed, I saw the fading edge of all delight.

The sober morning waked the drowsy herds,

And there was the old scolding of the birds.

61

John THE BODY

Freeman

When I had dreamed and dreamed what woman's beauty

was,

And how that beauty seen from unseen surely flowed, I turned and dreamed again, but sleeping saw no more : My eyes shut and my mind with inward vision glowed.

* I did not think ! ' I cried, seeing that wavering shape That steadied and then wavered, as a cherry bough in June

Lifts and falls in the wind — each fruit a fruit of light ; And then she stood as clear as an unclouded moon.

As clear and still she stood, moonlike remotely near ;

I saw and heard her breathe, I years and years away. Her light streamed through the years, I saw her clear and still,

Shape and spirit together mingling night with day.

Water falling, falling with the curve of time

Over green-hued rock, then plunging to its pool

Far, far below, a falling spear of light ; Water falling golden from the sun but moonlike cool :

Water has the curve of her shoulder and breast, Water falls as straight as her body rose,

Water her brightness has from neck to still feet, Water crystal-cold as her cold body flows.

But not water has the colour I saw when I dreamed, Nor water such strength has. I joyed to behold

How the blood lit her body with lamps of fire And made the flesh glow that like water gleamed cold.

62

A flame in her arms and in each finger flame, John

And flame in her bosom, flame above, below, Freeman

The curve of climbing flame in her waist and her thighs; From foot to head did flame into red flame flow.

I knew how beauty seen from unseen must rise, How the body's joy for more than body's use was

made.

I knew then how the body is the body of the mind, And how the mind's own fire beneath the cool skin played.

O shape that once to have seen is to see evermore, Falling stream that falls to the deeps of the mind,

Fire that once lit burns while aught burns in the world, Foot to head a flame moving in the spirit's wind !

If these eyes could see what these eyes have not seen — The inward vision clear — how should I look, for joy,

Knowing that beauty's self rose visible in the world Over age that darkens, and griefs that destroy ?

John TEN O'CLOCK NO MORE*

Freeman

The wind has thrown

The boldest of trees down.

Now disgraced it lies,

Naked in spring beneath the drifting skies,

Naked and still.

It was the wind

So furious and blind

That scourged half England through,

Ruining the fairest where most fair it grew

By dell and hill,

And springing here,

The black clouds dragging near,

Against this lonely elm

Thrust all his strength to maim and overwhelm

In one wild shock.

As in the deep

Satisfaction of dark sleep

The tree her dream dreamed on,

And woke to feel the wind's arms round her thrown

And her head rock.

And the wind raught

Her ageing boughs and caught

Her body fast again.

Then in one agony of age, grief, pain,

She fell and died.

* Ten o'clock is the name of a tall tree that crowned the eastern Cotswolds.

64

Her noble height, John

Branches that loved the light, Freeman

Her music and cool shade,

Her memories and all of her is dead

On the hill side.

But the wind stooped,

With madness tired, and drooped

In the soft valley and slept,

While morning strangely round the hush'd tree crept

And called in vain.

The birds fed where

The roots uptorn and bare

Thrust shameful at the sky ;

And pewits round the tree would dip and cry

With the old pain.

1 Ten o'clock's gone ! '

Said sadly every one.

And mothers looking thought

Of sons and husbands far away that fought : —

And looked again.

John THE FUGITIVE

Freeman

In the hush of early even The clouds came flocking over, Till the last wind fell from heaven And no bird cried.

Darkly the clouds were flocking, Shadows moved and deepened, Then paused ; the poplar's rocking Ceased ; the light hung still

Like a painted thing, and deadly. Then from the cloud's side flickered Sharp lightning, thrusting madly At the cowering fields.

Thrice the fierce cloud lighten 'd, Down the hill slow thunder trembled Day in her cave grew frightened, Crept away, and died.

66

THE ALDE John

Freeman

How near I walked to Love, How long, I cannot tell. I was like the Aide that flows Quietly through green level lands, So quietly, it knows

Their shape, their greenness and their shadows well ; And then undreamingly for miles it goes And silently, beside the sea.

Seamews circle over,

The winter wildfowl wings,

Long and green the grasses wave

Between the river and the sea.

The sea's cry, wild or grave,

From bank to low bank of the river rings ;

But the uncertain river though it crave

The sea, knows not the sea.

Was that indeed salt wind ?

Came that noise from falling

Wild waters on a stony shore ?

Oh, what is this new troubling tide

Of eager waves that pour

Around and over, leaping, parting, recalling ? . . ,

How near I moved (as day to same day wore)

And silently, beside the sea 1

John NEARNESS

Freeman

Thy hand my hand,

Thine eyes my eyes,

All of thee

Caught and confused with me :

My hand thy hand,

My eyes thine eyes,

All of me

Sunken and discovered anew in thee. . . .

No : still

A foreign mind,

A thought

By other yet uncaught ;

A secret will

Strange as the wind :

The heart of thee

Bewildering with strange fire the heart in me.

Hand touches hand,

Eye to eye beckons,

But who shall guess

Another's loneliness ?

Though hand grasp hand,

Though the eye quickens,

Still lone as night

Remain thy spirit and mine, past touch and sight.

68

NIGHT AND NIGHT John

Freeman

Thfc earth is purple in the evening light, The grass is graver green. The gold among the meadows darker glows, In the quieted air the blackbird sings more loud. The sky has lost its rose — Nothing more than this candle now shines bright.

Were there but natural night, how easy were The putting-by of sense At the day's end, and if no heavier air Came o'er the mind in a thick-falling cloud. But now there is no light

Within ; and to this innocent night how dark my night 1

John THE HERD

Freeman

The roaming sheep, forbidden to roam far,

Were stayed within the shadow of his eye.

The sheep-dog on that unseen shadow's edge

Moved, halted, barked, while the tall shepherd stood

Unmoving, leaned upon a sarsen stone,

Looking at the rain that curtained the bare hills

And drew the smoking curtain near and near ! —

Tawny, bush-faced, with cloak and staff, and flask

And bright brass-ribb'd umbrella, standing stone

Against the veinless, senseless sarsen stone.

The Roman Road hard by, the green Ridge Way,

Not older seemed, nor calmer the long barrows

Of bones and memories of ancient days

Than the tall shepherd with his craft of days

Older than Roman or the oldest caveman,

When, in the generation of all living,

Sheep and kine flocked in the Aryan valley and

The first herd with his voice and skill of water

Fleetest of foot, led them into green pastures,

From perished pastures to new green. I saw

The herdsmen everywhere about the world,

And herdsmen of all time, fierce, lonely, wise,

Herds of Arabia and Syria

And Thessaly, and longer- winter 'd climes ;

And this lone herd, ages before England was,

Pelt-clad, and armed with flint-tipped ashen sap,

Watching his flocks, and those far flocks of stars

Slow moving as the heavenly shepherd willed

And at dawn shut into the sunny fold.

WILFRID WILSON GIBSON

WINGS Wilfrid

Wilson

As a blue-necked mallard alighting in a pool Gibson

Among marsh-marigolds and splashing wet Green leaves and yellow blooms, like jewels set In bright, black mud, with clear drops crystal- cool > Bringing keen savours of the sea and stir Of windy spaces where wild sunsets flame To that dark inland dyke, the thought of her Into my brooding stagnant being came.

And all my senses quickened into life, Tingling and glittering, and the salt and fire Sang through my singing blood in eager strife. Until through crystal airs we seemed to be Soaring together, one fleet- winged desire Of windy sunsets and the wandering sea.

73

Wilfrid THE PARROTS

Wilson

Gibson Somewhere, somewhen I've seen,

But where or when I'll never know, Parrots of shrilly green With crests of shriller scarlet flying Out of black cedars as the sun was dying Against cold peaks of snow.

From what forgotten life

Of other worlds I cannot tell

Flashes that screeching strife ;

Yet the shrill colour and shrill crying

Sing through my blood and set my heart replying

And jangling like a bell.

74

THE CAKEWALK Wilfrid

Wilson

In smoky lamplight of a Smyrna Cafe, Gibson

He saw them, seven solemn negroes dancing, With faces rapt and out-thrust bellies prancing In a slow solemn ceremonial Cakewalk, Dancing and prancing to the sombre tom-tom Thumped by a crookbacked grizzled negro squatting. And as he watched . . . within the steamy twilight Of swampy forest in rank greenness rotting, That sombre tom-tom at his heartstrings strumming Set all his sinews twitching, and a singing Of cold fire through his blood — and he was dancing Among his fellows in the dank green twilight With naked, oiled, bronze- gleaming bodies swinging In a rapt holy everlasting Cakewalk For evermore in slow procession prancing.

75

Wilfrid DRIFTWOOD

Wilson

Gibson Black spars of driftwood burn to peacock flames,

Sea-emeralds and sea- purples and sea-blues, And all the innumerable ever- changing hues That haunt the changeless deeps but have no names, Flicker and spire in our enchanted sight : And as we gaze, the unsearchable mystery, The unfathomed cold salt magic of the sea, Shines clear before us in the quiet night.

We know the secret that Ulysses sought, That moonstruck mariners since time began Snatched at a drowning hazard — strangely brought To our homekeeping hearts in drifting spars We chanced to kindle under the cold stars — The secret in the ocean-heart of man.

QUIET Wilfrid

Wilson

Only the footprints of the partridge run Gibson

Over the billowy drifts on the mountain-side ; And now on level wings the brown birds glide Following the snowy curves, and in the sun Bright birds of gold above the stainless white They move, and as the pale blue shadows move, With them my heart glides on in golden flight Over the hills of quiet to my love.

Storm-shaken, racked with terror through the long Tempestuous night, in the quiet blue of morn Love drinks the crystal airs, and peace newborn Within his troubled heart, on wings aglow Soars into rapture, as from the quiet snow The golden birds ; and out of silence, song.

77

Wilfrid REVEILLE

Wilson

Gibson Still bathed in its moonlight slumber, the little white

house by the cedar Stands silent against the red dawn ; And nothing I know of who sleeps there, to the travail

of day yet unwakened, Behind the blue curtains undrawn :

But I dream as we march down the roadway, ringing loud and white-rimed in the moonlight,

Of a little dark house on a hill

Wherein when the battle is over, to the rapture of day yet unwakened,

We shall slumber as dreamless and still.

ROBERT GRAVES

A BALLAD OF NURSERY RHYME Robert

Graves Strawberries that in gardens grow

Are plump and juicy fine, But sweeter far as wise men know Spring from the woodland vine.

No need for bowl or silver spoon,

Sugar or spice or cream, Has the wild berry plucked in June

Beside the trickling stream.

One such to melt at the tongue's root,

Confounding taste with scent, Beats a full peck of garden fruit :

Which points my argument.

May sudden justice overtake

And snap the froward pen, That old and palsied poets shake

Against the minds of men ;

Blasphemers trusting to hold caught

In far-flung webs of ink The utmost ends of human thought,

Till nothing's left to think.

But may the gift of heavenly peace

And glory for all time Keep the boy Tom who tending geese

First made the nursery rhyme.

By the brookside one August day,

Using the sun for clock, Tom whiled the languid hours away

Beside his scattering flock,

81

Robert Carving with a sharp pointed stone

Graves On a broad slab of slate

The famous lives of Jumping Joan, Dan Fox and Greedy Kate ;

Rhyming of wolves and bears and birds,

Spain, Scotland, Babylon, That sister Kate might learn the words

To tell to Toddling John.

But Kate, who could not stay content

To learn her lesson pat, New beauty to the rough lines lent

By changing this or that ;

And she herself set fresh things down

In corners of her slate, Of lambs and lanes and London Town.

God's blessing fall on Kate !

The baby loved the simple sound,

With jolly glee he shook, And soon the lines grew smooth and round

Like pebbles in Tom's brook,

From mouth to mouth told and retold By children sprawled at ease

Before the fire in winter's cold, In June beneath tall trees ;

Till though long lost are stone and slate, Though the brook no more runs,

And dead long time are Tom, John, Kate, Their sons and their sons' sons ;

82

Yet, as when Time with stealthy tread Robert

Lays the rich garden waste, Graves

The woodland berry ripe and red Fails not in scent or taste,

So these same rhymes shall still be told

To children yet unborn, While false philosophy growing old

fades and is killed by scorn,

Robert Graves Mother

Alice :

Mother Alice :

Mother

Alice :

A FROSTY NIGHT

Alice, dear, what ails you, Dazed and white and shaken ? Has the chill night numbed you ? Is it fright you have taken ?

Mother I am very well, I felt never better ; Mother, do not hold me so, Let me write my letter.

Sweet, my dear, what ails you ? No, but I am well. The night was cold and frosty, There's no more to tell.

Ay, the night was frosty, Coldly gaped the moon, Yet the birds seemed twittering Through green boughs of June.

Soft and thick the snow lay, Stars danced in the sky. Not all the lambs of May-day Skip so bold and high.

Your feet were dancing, Alice, Seemed to dance on air, You looked a ghost or angel In the starlight there.

Your eyes were frosted starlight, Your heart, fire, and snow. Who was it said ' I love you ? ' Mother, let me go !

TRUE JOHNNY Robert

Graves Mary : Johnny, sweetheart, can you be true

To all those famous vows you've made ? Will you love me as I love you Until we both in earth are laid ? Or shall the old wives nod and say * His love was only for a day, The mood goes by, His fancies fly, And Mary's left to sigh/

Johnny : Mary, alas, you've hit the truth, And I with grief can but admit Hot-blooded haste controls my youth, My idle fancies veer and flit From flower to flower, from tree to tree, And when the moment catches me

Oh, love goes by,

Away I fly, And leave my girl to sigh.

Mary : Could you but now foretell the day, Johnny, when this sad thing must be, When light and gay you'll turn away And laugh and break the heart in me ? For like a nut for true love's sake My empty heart shall crack and break,

When fancies fly

And love goes by And Mary's left to die.

Johnny : When the sun turns against the clock, When Avon waters upward flow,

Robert When eggs are laid by barn-door cock,

Graves When dusty hens do strut and crow,

When up is down, when left is right, Oh, then I'll break the troth I plight, With careless eye Away I'll fly And Mary here shall die

THE CUPBOARD Robert

Graves

Mother : What's in that cupboard, Mary ? Mary : Which cupboard, mother dear ?

Mother : The cupboard of red mahogany With handles shining clear,

Mary : That cupboard, dearest mother, With shining crystal handles ? There's nought inside but rags and jags And yellow tallow candles.

Mother : What's in that cupboard, Mary ? Mary : Which cupboard, mother mine ?

Mother : That cupboard stands in your sunny chamber, The silver corners shine.

Mary : There's nothing there inside, mother,

But wool and thread and flax, And bits of faded silk and velvet And candles of white wax.

Mother : What's in that cupboard, Mary ?

And this time tell me true. Mary : White clothes for an unborn baby, mother . .

But what's the truth to you ?

Robert THE VOICE OF BEAUTY DROWNED

Graves

Cry from the thicket my heart's bird ! The other birds woke all around ; Rising with toot and howl they stirred Their plumage, broke the trembling sound, They craned their necks, they fluttered wings, ' While we are silent no one sings, And while we sing you hush your throat, Or tune your melody to our note.'

Cry from the thicket my heart's bird !

The screams and hootings rose again :

They gaped with raucous beaks, they whirred

Their noisy plumage ; small but plain

The lonely hidden singer made

A well of grief within the glade.

* Whist, silly fool, be off,' they shout,

* Or we'll come pluck your feathers out/

Cry from the thicket my heart's bird ! Slight and small the lovely cry Came trickling down, but no one heard ; Parrot and cuckoo, crow, magpie, Jarred horrid notes, the jangling jay Ripped the fine threads of song away ; For why should peeping chick aspire To challenge their loud woodland choir ?

Cried it so sweet, that unseen bird ? Lovelier could no music be, Clearer than water, soft as curd, Fresh as the blossomed cherry tree.

88

How sang the others all around ? Robert

Piercing and harsh, a maddening sound, Graves

With Pretty Poll, Tuwit-tuwoo Peewit, Caw Caw, Cuckoo- Cuckoo.

How went the song, how looked the bird ? If I could tell, if I could show With one quick phrase, one lightning word, I'd learn you more than poets know ; For poets, could they only catch Of that forgotten tune one snatch, Would build it up in song or sonnet, And found their whole life's fame upon it.

Robert ROCKY ACRES

Graves

This is a wild land, country of my choice,

With harsh craggy mountain, moor ample and bare. Seldom in these acres is heard any voice

But voice of cold water that runs here and there Through rocks and lank heather growing without care. No mice in the heath run nor no birds cry For fear of the dark speck that floats in the sky.

He soars and he hovers rocking on his wings, He scans his wide parish with a sharp eye,

He catches the trembling of small hidden things, He tears them in pieces dropping from the sky : Tenderness and pity the land will deny,

Where life is but nourished from water and rock,

A hardy adventure, full of fear and shock.

Time has never journeyed to this lost land, Crakeberries and heather bloom out of date,

The rocks jut, the streams flow singing on either hand, Careless if the season be early or late. The skies wander overhead, now blue now slate :

Winter would be known by his cold cutting snow

If June did not borrow his armour also.

Yet this is my country beloved by me best,

The first land that rose from Chaos and the Flood,

Nursing no fat valleys for comfort and rest,

Trampled by no hard hooves, stained with no blood Bold immortal country whose hill-tops have stood

Strongholds for the proud gods when on earth they go,

Terror for fat burghers in far plains below.

D. H. LAWRENCE

SEVEN SEALS D. H.

Lawrence

Since this is the last night I keep you home, Come, I will consecrate you for the journey.

Rather I had you would not go. Nay come, I will not again reproach you. Lie back And let me love you a long time ere you go. For you are sullen- hearted still, and lack The will to love me. But even so I will set a seal upon you from my lip, Will set a guard of honour at each door, Seal up each channel out of which might slip Your love for me.

I kiss your mouth. Ah, love, Could I but seal its ruddy, shining spring Of passion, parch it up, destroy, remove Its softly-stirring, crimson welling-up Of kisses ! Oh, help me, God ! Here at the source I'd lie for ever drinking and drawing in Your fountains, as heaven drinks from out their course The floods.

I close your ears with kisses And seal your nostrils ; and round your neck you'll

wear —

Nay, let me work — a delicate chain of kisses. Like beads they go around, and not one misses To touch its fellow on either side.

And there

Full mid-between the champaign of your breast I place a great and burning seal of love

93

D. H. Like a dark rose, a mystery of rest

Lawrence On the slow bubbling of your rhythmic heart. Nay, I persist, and very faith shall keep You integral to me. Each door, each mystic port Of egress from you I will seal and steep In perfect chrism.

Now it is done. The mort Will sound in heaven before it is undone.

But let me finish what I have begun

And shirt you now invulnerable in the mail

Of iron kisses, kisses linked like steel.

Put greaves upon your thighs and knees, and frail

Webbing of steel on your feet. So you shall feel

Ensheathed invulnerable with me, with seven

Great seals upon your outgoings, and woven

Chain of my mystic will wrapped perfectly

Upon you, wrapped in indomitable me.

HAROLD MONRO

GRAVITY Harold

Monro

Fit for perpetual worship is the power That holds our bodies safely to the earth.

When people talk of their domestic gods, Then privately I think of You.

We ride through space upon your shoulders Conveniently and lightly set, And, so accustomed, we relax our hold, Forget the gentle motion of your body — But You do not forget.

Sometimes you breathe a little faster,

Or move a muscle :

Then we remember you, O Master.

II

When people meet in reverent groups

And sing to their domestic God,

You, all the time, dear tyrant, (How I laugh !)

Could, without effort, place your hand among them,

And sprinkle them about the desert.

But all your ways are carefully ordered,

For you have never questioned duty.

We watch your everlasting combinations ;

We call them Fate ; we turn them to our pleasure,

And when they most delight us, call them beauty.

97

Harold m

Monro T i i

I rest my body on your grass,

And let my brain repose in you ;

I feel these living moments pass,

And, from within myself to those far places

To be imagined in your times and spaces,

Deliberate the various acts you do : —

Sorting and re-arranging worlds of Matter Keenly and wisely. Thus you brought our earth Through stages, and from purpose back to purpose, From fire to fog, to dust, to birth Through beast to man, who led himself to brain — Then you invoked him back to dust again.

By leave of you he places stone on stone ; He scatters seed : you are at once the prop Among the long roots of his fragile crop. You manufacture for him, and insure House, harvest, implement and furniture, And hold them all secure.

IV

The hill . . . The trees . . . From underneath I feel You pull me with your hand : Through my firm feet up to my heart You hold me, — You are in the land, Reposing underneath the hill.

You keep my balance and my growth. I lift a foot, but where I go You follow : you, the ever-strong, Control the smallest thing I do.

I have some little human power Harold

To turn your purpose to my end, Monro

For which I thank you every hour.

I stand at worship, while you send

Thrills up my body to my heart,

And I am all in love to know

How by your strength you keep me part

Of earth, which cannot let me go ;

How everything I see around,

Whether it can or cannot move,

Is granted liberty of ground,

And freedom to enjoy your love ;

Though you are silent always, and, alone

To You yourself, your power remains unknown.

Harold GOLDFISH

Monro

They are the angels of that watery world,

With so much knowledge that they just aspire

To move themselves on golden fins,

Or fill their paradise with fire

By darting suddenly from end to end.

Glowing a thousand centuries behind

In pools half-recollected of the mind,

Their large eyes stare and stare, but do not see

Beyond those curtains of Eternity.

When twilight flows into the room

And air becomes like water, you can feel

Their movements growing larger in the gloom,

And you are led

Backward to where they live beyond the dead.

But in the morning, when the seven rays Of London sunlight one by one incline, They glide to meet them, and their gulping lips Suck the light in, so they are caught and played Like salmon on a heavenly fishing line.

Ghosts on a twilight floor, Moving about behind their watery door, Breathing and yet not breathing day and night, They give the house some gleam of faint delight,

100

DOG Harold

Monro

You little friend, your nose is ready ; you sniff, Asking for that expected walk, (Your nostrils full of the happy rabbit-whiff) And almost talk.

And so the moment becomes a moving force ;

Coats glide down from their pegs in the humble dark ;

The sticks grow live to the stride of their vagrant course.

You scamper the stairs,

Your body informed with the scent and the track and

the mark Of stoats and weasels, moles and badgers and hares.

We are going out. You know the pitch of the word, Probing the tone of thought as it comes through fog And reaches by devious means (half-smelt, half-heard) The four-legged brain of a walk-ecstatic dog.

Out in the garden your head is already low.

(Can you smell the rose ? Ah, no.)

But your limbs can draw

Life from the earth through the touch of your padded paw.

Now, sending a little look to us behind, Who follow slowly the track of your lovely play, You carry our bodies forward away from mind Into the light and fun of your useless day.

Thus, for your walk, we took ourselves, and went Out by the hedge and the tree to the open ground. You ran, in delightful strata of wafted scent,

TOT

Harold Over the hill without seeing the view ; Monro Beauty is smell upon primitive smell to you :

To you, as to us, it is distant and rarely found.

Home . . . and further joy will be surely there :

Supper waiting full of the taste of bone.

You throw up your nose again, and sniff, and stare

For the rapture known

Of the quick wild gorge of food and the still lie-down

While your people talk above you in the light

Of candles, and your dreams will merge and drown

Into the bed-delicious hours of night.

102

THE NIGHTINGALE NEAR THE HOUSE Harold

Monro

Here is the soundless cypress on the lawn : It listens, listens. Taller trees beyond Listen. The moon at the unruffled pond Stares. And you sing, you sing.

That star-enchanted song falls through the air From lawn to lawn down terraces of sound, Darts in white arrows on the shadowed ground ; And all the night you sing.

My dreams are flowers to which you are a bee As all night long I listen, and my brain Receives your song, then loses it again In moonlight on the lawn.

Now is your voice a marble high and white, Then like a mist on fields of paradise, Now is a raging fire, then is like ice, Then breaks, and it is dawn.

103

Harold MAN CARRYING BALE

Monro

The tough hand closes gently on the load ;

Out of the mind, a voice Calls ' Lift ! ' and the arms, remembering well their

work,

Lengthen and pause for help. Then a slow ripple flows from head to foot While all the muscles call to one another : ' Lift ! ' and the bulging bale Floats like a butterfly in June.

So moved the earliest carrier of bales,

And the same watchful sun Glowed through his body feeding it with light.

So will the last one move, And halt, and dip his head, and lay his load Down, and the muscles will relax and tremble.

Earth, you designed your man Beautiful both in labour and repose.

104

THOMAS MOULT

FOR BESSIE, SEATED BY ME IN THE Thomas GARDEN Moult

To the heart, to the heart the white petals

Quietly fall.

Memory is a little wind, and magical

The dreaming hours.

As a breath they fall, as a sigh ;

Green garden hours too langorous to waken,

White leaves of blossomy tree wind-shaken :

As a breath, a sigh,

As the slow white drift

Of a butterfly.

Flower- wings falling, wings of branches

One after one at wind's droop dipping ;

Then with the lift

Of the air's soft breath, in sudden avalanches

Slipping.

Quietly, quietly the June wind flings

White wings,

White petals, past the footpath flowers

Adown my dreaming hours.

At the heart, at the heart the butterfly settles.

As a breath, a sigh

Fall the petals of hours, of the white-leafed flowers,

Fall the petalled wings of the butterfly.

To my heart, to my heart the white petals

Quietly fall.

To the years, other years, old and wistful

Drifts my dream.

Petal- patined the dream, white-mistful

As the dew-sweet haunt of the dim whitebeam

Because of memory, a little wind . . .

107

Thomas It is the gossamer-float of the butterfly Moult This drift of dream

From the sweet of to-day to the sweet

Of days long drifted by.

It is the drift of the butterfly, it is the fleet

Drift of petals which my noon has thinned,

It is the ebbing out of my life, of the petals of days.

To the years, other years, drifts my dream. . . .

Through the haze

Of summers long ago

Love's entrancements flow,

A blue-green pageant of earth,

A green-blue pageant of sky,

As a stream,

Flooding back with lovely delta to my heart.

Lo the petalled leafage is finer, under the feet

The coarse soil with a rainbow's worth

Of delicate colours lies enamelled,

Translucently glowing, shining.

Each balmy breath of the hours

From eastern gleam to westward gloam

Is meaning-full as the falling flowers :

It is a crystal syllable

For love's defining,

It is love alone can spell

Yea, Love remains : after this drift of days

Love is here, Love is not dumb.

The touch of a silken hand, comradely, untrammelled

Is in the sunlight, a bright glance

On every ripple of yonder waterways,

A whisper in the dance

Of green shadows ;

Nor shall the sunlight be shut out even from the dark.

108

Beyond the garden heavy oaks are buoyant on Thomas the meadows, Moult

Their rugged bark

No longer rough,

But chastened and refined in the glowing eyes of Love.

Around us the petals fulfil

Their measure and fall, precious the petals are still.

For Love they once were gathered, they are gathered for Love again,

Whose glance is on the water,

Whose whisper is in the green shadows.

In the same comrade-hand whose touch is in the sun- light,

They are lying again.

Here Love is ... Love only of all things outstays

The drift of petals, the drift of days,

Petals of hours,

Of white- leafed flowers,

Petalled wings of the butterfly,

Drifting, quietly drifting by

As a breath, a sigh. . . .

109

Thomas ' TRULY HE HATH A SWEET BED '

Moult

Brown earth, sun-soaked,

Beneath his head

And over the quiet limbs. . . .

Through time unreckoned

Lay this brown earth for him. Now is he come.

Truly he hath a sweet bed.

The perfume shed

From invisible gardens is chaliced by kindly airs And carried for welcome to the stranger. Long seasons ere he came, this wilderness They habited.

They, and the mist of stars

Down-spread

About him as a hush of vespering birds.

They, and the sun, the moon :

Naught now denies him the moon's coming,

Nor the morning trail of gold,

The luminous print of evening, red

At the sun's tread.

The brown earth holds him.

The stars and little winds, the friendly moon

And sun attend in turn his rest.

They linger above him, softly moving. They are gracious,

And gently-wise : as though remembering how his

hunger,

His kinship, knew them once but blindly In thoughts unsaid, As a dream that fled.

no

So is he theirs assuredly as the seasons. Thomas

So is his sleep by them for ever companioned. Moult

. . . And, perchance, by the voices of bright children

playing

And knowing not : by the echo of young laughter When their dancing is sped.

Truly he hath a sweet bed.

in

Thomas LOVERS' LANE

Moult

This cool quiet of trees

In the grey dusk of the north,

In the green half-dusk of the west,

Where fires still glow ;

These glimmering fantasies

Of foliage branching forth

And drooping into rest ;

Ye lovers, know

That in your wanderings

Beneath this arching brake

Ye must attune your love

To hushed words.

For here is the dreaming wisdom of

The unmovable things . . .

And more : — walk softly, lest ye wake

A thousand sleeping birds.

112

ROBERT NICHOLS

THE SPRIG OF LIME Robert

Nichols

He lay, and those who watched him were amazed

To see unheralded beneath the lids

Twin tears, new-gathered at the price of pain,

Start and at once run crookedly athwart

Cheeks channelled long by pain, never by tears.

So desolate too the sigh next uttered

They had wept also, but his great lips moved,

And bending down one heard, * A sprig of lime ;

Bring me a sprig of lime.' Whereat she stole

With dumb signs forth to pluck the thing he craved.

So lay he till a lime-twig had been snapped

From some still branch that swept the outer grass

Far from the silver pillar of the bole

Which mounting past the house's crusted roof

Split into massy limbs, crossed boughs, a maze

Of close- compacted inter contorted staffs

Bowered in foliage wherethrough the sun

Shot sudden showers of light or crystal spars

Or wavered in a green and vitreous flood.

And all the while in faint and fainter tones

Scarce audible on deepened evening's hush

He framed his curious and last request

For ' lime, a sprig of lime.' Her trembling hand

Closed his loose ringers on the awkward stem

Covered above with gentle heart-shaped leaves

And under dangling, pale as honey-wax,

Square clusters of sweet-scented starry flowers.

She laid his bent arm back upon his breast,

Then watched above white knuckles clenched in prayer.

"5

Robert He never moved. Only at last his eyes Nichols Opened, then brightened in such avid gaze

She feared the coma mastered him again . . .

But no ; strange sobs rose chuckling in his throat,

A stranger ecstasy suffused the flesh

Of that just mask so sun-dried, gouged and old

Which few — too few ! — had loved, too many feared.

' Father ! ' she cried ; ' Father ! '

He did not hear.

She knelt and kneeling drank the scent of limes, Blown round the slow blind by a vesperal gust, Till the room swam. So the lime-incense blew Into her life as once it had in his, Though how and when and with what ageless charge Of sorrow and deep joy how could she know ?

Sweet lime that often at the height of noon

Diffusing dizzy fragrance from your boughs,

Tasselled with blossoms more innumerable

Than the black bees, the uproar of whose toil

Filled your green vaults, winning such metheglyn

As clouds their sappy cells, distil, as once

Ye used, your sunniest emanations

Toward the window where a woman kneels —

She who within that room in childish hours

Lay through the lasting murmur of blanch 'd noon

Behind the sultry blind, now full now flat,

Drinking anew of every odorous breath,

Supremely happy in her ignorance

Of Time that hastens hourly and of Death

Who need not haste. Scatter your fumes, O lime.

Loose from each hispid star of citron bloom,

Tangled beneath the labyrinthine boughs,

116

Cloud on such stinging cloud of exhalations Robert

As reek of youth, fierce life and summer's prime, Nichols

Though hardly now shall he in that dusk room

Savour your sweetness, since the very sprig,

Profuse of blossom and of essences,

He smells not, who in a paltering hand

Clasps it laid close his peaked and gleaming face

Propped in the pillow. Breathe silent, lofty lime,

Your curfew secrets out in fervid scent

To the attendant shadows ! Tinge the air

Of the midsummer night that now begins,

At an owl's oaring flight from dusk to dusk

And downward caper of the giddy bat

Hawking against the lustre of bare skies,

With something of th' unfathomable bliss

He, who lies dying there, knew once of old

In the serene trance of a summer night

When with th' abundance of his young bride's hair

Loosed on his breast he lay and dared not sleep,

Listening for the scarce motion of your boughs,

Which sighed with bliss as she with blissful sleep,

And drinking desperately each honied wave

Of perfume wafted past the ghostly blind

Knew first th' implacable and bitter sense

Of Time that hastes and Death who need not haste.

Shed your last sweetness, limes !

But now no more.

She, fruit of that night's love, she heeds you not, Who bent, compassionate, to the dim floor Takes up the sprig of lime and presses it In pain against the stumbling of her heart, Knowing, untold, he cannot need it now.

Robert SEVENTEEN

Nichols

For Anne.

All the loud winds were in the garden wood,

All shadows joyfuller than lissom hounds

Doubled in chasing, all exultant clouds

That ever flung fierce mist and eddying fire

Across heavens deeper than blue polar seas

Fled over the sceptre-spikes of the chestnuts,

Over the speckle of the wych-elms' green.

She shouted ; then stood still, hushed and abashed

To hear her voice so shrill in that gay roar,

And suddenly her eyelashes were dimmed,

Caught in tense tears of spiritual joy ;

For there were daffodils which sprightly shook

Ten thousand ruffling heads throughout the wood,

And every flower of those delighting flowers

Laughed, nodding to her, till she clapped her hands

Crying * O daffies, could you only speak ! '

But there was more. A jay with skyblue shaft Set in blunt wing, skimmed screaming on ahead. She followed him. A murrey squirrel eyed Her warily, cocked upon tail-plumed haunch, Then, skipping the whirligig of last-year leaves, Whisked himself out of sight and reappeared Leering about the bole of a young beech ; And every time she thought to corner him He scrambled round on little scratchy hands To peek at her about the other side. She lost him, bolting branch to branch, at last — The impudent brat ! But still high overhead Flight on exuberant flight of opal scud, Or of dissolving mist, florid as flame,

Ji8

Scattered in ecstasy over the blue. And she Robert

Followed, first walking, giving her bright locks Nichols

To the cold fervour of the springtime gale,

Whose rush bore the cloud shadow past the cloud

Over the irised wastes of emerald turf.

And still the huge wind volleyed. Save the gulls,

Goldenly in the sunny blast careering

Or on blue-shadowed underwing at plunge,

None shared with her who now could not but run

The splendour and tumult of th' onrushing spring.

And now she ran no more : the gale gave plumes.

One with the shadows whirled along the grass,

One with the onward smother of veering gulls,

One with the pursuit of cloud after cloud,

Swept she. Pure speed coursed in immortal limbs ;

Nostrils drank as from wells of unknown air ;

Ears received the smooth silence of racing floods ;

Light as of glassy suns froze in her eyes ;

Space was given her and she ruled all space.

Spring, author of twifold loveliness, Who flittest in the mirth of the wild folk, Profferest greeting in the faces of flowers, Blowest in the firmamental glory, Renewest in the heart of the sad human All faiths, guard thou the innocent spirit Into whose unknowing hands this noontide Thou pourest treasure, yet scarce recognised, That unashamed before man's glib wisdom, Unabashed beneath the wrath of chance, She accept in simplicity of homage The hidden holiness, the created emblem To be in her, until death shall take her, The source and secret of eternal spring.

119

Robert THE

Nichol*

Never am I so alone

As when I walk among the crowd— Blurred masks of stern or grinning stone, Unmeaning eyes and voices loud.

Gaze dares not encounter gaze, . . .

Humbled, I turn my head aside ; When suddenly there is a face . . .

Pale, subdued and grievous- eyed.

Ah, I know that visage meek,

Those trembling lips, the eyes that shine

But turn from that which they would seek With an air piteous, divine !

There is not a line or scar,

Seal of a sorrow or disgrace, But I know like sigils are

Burned in my heart and on my face.

Speak ! O speak ! Thou art the one !

But thou hast passed with sad head bowed ; And never am I so alone

As when I walk among the crowd.

120

1 O NIGHTINGALE MY HEART ' Robert

Nichols

O Nightingale my heart How sad thou art ! How heavy is thy wing, Desperately whirred that thy throat may fling Song to the tingling silences remote ! Thine eye whose ruddy spark Burned fiery of late, How dead and dark ! Why so soon didst thou sing, And with such turbulence of love and hate ?

Learn that there is no singing yet can bring

The expected dawn more near ;

And thou art spent already, though the night

Scarce has begun ;

What voice, what eyes wilt thou have for the light

When the light shall appear,

And O what wings to bear thee t'ward the Sun ?

121

Robert THE PILGRIM

Nichols

Putfby the sun my joyful soul, We are for darkness that is whole ;

Put by the wine, now for long years We must be thirsty with salt tears ;

Put by the rose, bind thou instead The fiercest thorns about thy head ;

Put by the courteous tire, we need But the poor pilgrim's blackest weed ;

Put by — a'beit with tears — thy lute, Sing but to God or else be mute.

Take leave of friends save such as dare Thy love with Loneliness to share.

It is full tide. Put by regret. Turn, turn away. Forget. Forget.

Put by the sun my lightless soul, We are for darkness that is whole.

122

J. D. C. FELLOW

THE TEMPLE J.D.C,

Fellow

Between the erect and solemn trees I will go down upon my knees ; I shall not find this day So meet a place to pray.

Haply the beauty of this place

May work in me an answering grace,

The stillness of the air

Be echoed in my prayer.

The worshipping trees arise and run, With never a swerve, towards the sun ;

So may my soul's desire

Turn to its central fire.

With single aim they seek the light, And scarce a twig in all their height

Breaks out until the head

In glory is outspread.

How strong each pillared trunk ; the bark That covers them, how smooth ; and hark,

The sweet and gentle voice

With which the leaves rejoice !

May a like strength and sweetness fill Desire, and thought, and steadfast will,

When I remember these

Fair sacramental trees 1

125

SIEGFRIED SASSOON

SICK LEAVE Siegfried

Sassoon

When I'm asleep, dreaming and lulled and warm, — They come, the homeless ones, the noiseless dead. While the dim charging breakers of the storm Bellow and drone and rumble overhead, Out of the gloom they gather about my bed.

They whisper to my heart ; their thoughts are mine.

* Why are you here with all your watches ended ?

From Ypres to Frise we sought you in the Line.' In bitter safety I awake, unfriended ; And while the dawn begins with slashing rain I think of the Battalion in the mud. * When are you going out to them again ? Are they not still your brothers through our blood ? '

129

Siegfried BANISHMENT

Sassoon

I am banished from the patient men who fight. They smote my heart to pity, built my pride. Shoulder to aching shoulder, side by side, They trudged away from life's broad wealds of light. Their wrongs were mine ; and ever in my sight They went arrayed in honour. But they died, — Not one by one : and mutinous I cried To those who sent them out into the night.

The darkness tells how vainly I have striven

To free them from the pit where they must dwell

In outcast gloom convulsed and jagged and riven

By grappling guns. Love drove me to rebel.

Love drives me back to grope with them through hell ;

And in their tortured eyes I stand forgiven.

REPRESSION OF WAR EXPERIENCE Siegfried

Sassoon

Now light the candles ; one ; two ; there's a moth ; What silly beggars they are to blunder in And scorch their wings with glory, liquid flame — No, no, not that, — it's bad to think of war, When thoughts you've gagged all day come back to

scare you ;

And it's been proved that soldiers don't go mad Unless they lose control of ugly thoughts That drive them out to jabber among the trees.

Now light your pipe ; look, what a steady hand. Draw a deep breath ; stop thinking ; count fifteen, And you're as right as rain. . . .

Why won't it rain ? . . . I wish there 'd be a thunderstorm to-night, With bucketsful of water to sluice the dark, And make the roses hang their dripping heads.

Books ; what a jolly company they are,

Standing so quiet and patient on their shelves,

Dressed in dim brown, and black, and white, and green,

And every kind of colour. Which will you read ?

Come on ; O do read something ; they're so wise.

I tell you all the wisdom of the world

Is waiting for you on those shelves ; and yet

You sit and gnaw your nails, and let your pipe out,

And listen to the silence : on the ceiling

There's one big, dizzy moth that bumps and flutters ;

And in the breathless air outside the house

The garden waits for something that delays.

There must be crowds of ghosts among the trees, —

Not people killed in battle, — they're in France, —

Siegfried But horrible shapes in shrouds — old men who died Sassoon Slow, natural deaths, — old men with ugly souls, Who wore their bodies out with nasty sins.

You're quiet and peaceful, summering safe at home ; You'd never think there was a bloody war on ! ... O yes, you would . . . why, you can hear the guns. Hark ! Thud, thud, thud, — quite soft . . . they never

cease —

Those whispering guns — O Christ, I want to go out And screech at them to stop — I'm going crazy ; I'm going stark, staring mad because of the guns.

132

DOES IT MATTER Siegfried

Sassoon

Does it matter ? — losing your legs ? . . . For people will always be kind, And you need not show that you mind When the others come in after hunting To gobble their muffins and eggs.

Does it matter ? — losing your sight ? . . . There's such splendid work for the blind ; And people will always be kind, As you sit on the terrace remembering And turning your face to the light.

Do they matter ? — those dreams from the pit ? ...

You can drink and forget and be glad,

And people won't say that you're mad ;

For they'll know that you've fought for your country,

And no one will worry a bit.

Siegfried CONCERT PARTY

Sassoon

(Egyptian Base Camp).

They are gathering round . . . Out of the twilight ; over the grey-blue sand, Shoals of low-jargoning men drift inward to the sound — i The jangle and throb of a piano . . . tum-ti-tum . . . Drawn by a lamp, they come

Out of the glimmering lines of their tents, over the shuffling sand.

0 sing us the songs, the songs of our own land, You warbling ladies in white.

Dimness conceals the hunger in our faces,

This wall of faces risen out of the night,

These eyes that keep their memories of the places

So long beyond their sight.

Jaded and gay, the ladies sing ; and the chap in brown Tilts his grey hat ; jaunty and lean and pale, He rattles the keys . . . Some actor-bloke from town . . . God send you home ; and then A long, long trail ;

1 hear you calling me ; and Dixieland. . . .

Sing slowly . . . now the chorus . . . one by one We hear them, drink them ; till the concert's done. Silent, I watch the shadowy mass of soldiers stand. Silent, they drift away, over the glimmering sand.

KANTARA, April, 1918.

SONGBOOKS OF THE WAR Siegfried

Sassoon

In fifty years, when peace outshines Remembrance of the battle lines, Adventurous lads will sigh and cast Proud looks upon the plundered past. On summer morn or winter's night, Their hearts will kindle for the fight, Reading a snatch of soldier-song, Savage and jaunty, fierce and strong ; And through the angry marching rhymes Of blind regret and haggard mirth, They'll envy us the dazzling times When sacrifice absolved our earth.

Some ancient man with silver locks

Will lift his weary face to say :

' War was a fiend who stopped our clocks

Although we met him grim and gay.'

And then he'll speak of Haig's last drive,

Marvelling that any came alive

Out of the shambles that men built

And smashed, to cleanse the world of guilt.

But the boys, with grin and sidelong glance,

Will think, ' Poor grandad's day is done.'

And dream of those who fought in France

And lived in time to share the fun.

'35

Siegfried THE PORTRAIT

Sassoon

I watch you, gazing at me from the wall,

And wonder how you'd match your dreams with mine,

If, mastering time's illusion, I could call

You back to share this quiet candle-shine.

For you were young, three hundred years ago ; And by your looks I guess that you were wise . . . Come, whisper soft, and Death will never know You've slipped away from those calm, painted eyes.

Strange is your voice . . . Poor ninny, dead so long, And all your pride forgotten like your name. ' One April morn I heard a blackbird's song, And joy was in my heart like leaves aflame.'

And so you died before your songs took wing ; While Andrew Marvell followed in your wake. * Love thrilled me into music. I could sing But for a moment, — but for beauty's sake.'

Who passes ? There's a star- lit breeze that stirs The glimmer of white lilies in the gloom. Who speaks ? Death has his silent messengers. And there was more than silence in this room

While you were gazing at me from the wall

And wondering how you'd match your dreams with

mine,

If, mastering time's illusion, you could call Me back to share your vanished candle-shine.

THRUSHES Siegfried

Sassoon

Tossed on the glittering air they soar and skim, Whose voices make the emptiness of light A windy palace. Quavering from the brim Of dawn, and bold with song at edge of night, They clutch their leafy pinnacles and sing Scornful of man, and from his toils aloof Whose heart's a haunted woodland whispering ; Whose thoughts return on tempest-baffled wing ; Who hears the cry of God in everything, • And storms the gate of nothingness for proof.

137

Siegfried EVERYONE SANG

Sassoon

Everyone suddenly burst out singing ; And I was filled with such delight As prisoned birds must find in freedom, Winging wildly across the white

Orchards and dark-green fields ; on — on — and out ot sight.

Everyone's voice was suddenly lifted ; And beauty came like the setting sun : My heart was shaken with tears ; and horror Drifted away . . . O, but Everyone Was a bird ; and the song was wordless ; the singing will never be done.

138

EDWARD SHANKS

A NIGHT-PIECE Edward

Shanks

Come out and walk. The last few drops of light Drain silently out of the cloudy blue ; The trees are full of the dark-stooping night, The fields are wet with dew.

All's quiet in the wood but, far away, Down the hillside and out across the plain, Moves, with long trail of white that marks its way, The softly panting train.

Come through the clearing. Hardly now we see The flowers, save dark or light against the grass, Or glimmering silver on a scented tree That trembles as we pass.

Hark now ! So far, so far ... that distant song . . . Move not the rustling grasses with your feet. The dusk is full of sounds, that all along The muttering boughs repeat.

So far, so faint, we lift our heads in doubt. Wind, or the blood that beats within our ears, Has feigned a dubious and delusive note, Such as a dreamer hears.

Again . . . again ! The faint sounds rise and fail. So far the enchanted tree, the song so low . . . A drowsy thrush ? A waking nightingale ? Silence. We do not know.

Edward IN ABSENCE

Shanks

My lovely one, be near to me to-night.

For now I need you most, since I have gone

Through the sparse woodland in the fading light,

Where in time past we two have walked alone,

Heard the loud nightjar spin his pleasant note,

And seen the wild rose folded up for sleep,

And whispered, though the soft word choked my

throat,

Your dear name out across the valley deep. Be near to me, for now I need you most. To-night I saw an unsubstantial flame Flickering along those shadowy paths, a ghost That turned to me and answered to your name, Mocking me with a wraith of far delight. . . . My lovely one, be near to me to-night.

142

THE GLOW-WORM Edward

Shanks

The pale road winds faintly upward into the dark skies, And beside it on the rough grass that the wind invisibly

stirs,

Sheltered by sharp-speared gorse and the berried juni- pers, Shining steadily with a green light, the glow-worm lies.

We regard it ; and this hill and all the other hills That fall in folds to the river, very smooth and steep, And the hangers and brakes that the darkness thickly

fills Fade like phantoms round the light, and night is deep,

so deep, —

That all the world is emptiness about the still flame, And we are small shadows standing lost in the huge

night. We gather up the glow-worm, stooping with dazzled

sight, And carry it to the little enclosed garden whence we

came,

And place it on the short grass. Then the shadowy

flowers fade,

The walls waver and melt and the houses disappear And the solid town trembles into insubstantial shade Round the light of the burning glow-worm, steady and

clear.

'43

Edward THE CATACLYSM

Shanks

When a great wave disturbs the ocean cold And throws the bottom waters to the sky, Strange apparitions on the surface lie,

Great battered vessels, stripped of gloss and gold,

And, writhing in their pain, sea-monsters old, Who stain the waters with a bloody dye, With unaccustomed mouths bellow and cry

And vex the waves with struggling fin and fold.

And with these too come little trivial things

Tossed from the deeps by the same casual hand ; A faint sea flower, dragged from the lowest sand, That will not undulate its luminous wings In the slow tides again, lies dead and swings Along the muddy ripples to the land.

144

A HOLLOW ELM Edward

Shanks What hast thou not withstood,

Tempest- despising tree, Whose bloat and riven wood

Gapes now so hollowly,

What rains have beaten thee through many years, What snows from off thy branches dripped like tears ?

Calmly thou standest now

Upon thy sunny mound ; The first spring breezes flow

Past with sweet dizzy sound ; Yet on thy pollard top the branches few Stand stiffly out, disdain to murmur too.

The children at thy foot

Open new- lighted eyes, Where, on gnarled bark and root, The soft warm sunshine lies — Dost thou, upon thine ancient sides, resent The touch of youth, quick and impermanent ?

These at the beck of spring Live in the moment still : Thy boughs unquivering,

Remembering winter's chill, And many other winters past and gone, Are mocked, not cheated, by the transient sun.

Hast thou so much withstood,

Tempest- despising tree, That now thy hollow wood

Stiffens disdainfully

Against the soft spring airs and soft spring rain, Knowing too well that winter comes again ?

'45

Edward FETE GALANTE ;

Shanks TRE TRIUMPH QF LOVE

Aristonoe, the fading shepherdess,

Gathers the young girls round her in a ring,

Teaching them wisdom of love,

What to say, how to dress,

How frown, how smile,

How suitors to their dancing feet to bring,

How in mere walking to beguile,

What words cunningly said in what a way

Will draw man's busy fancy astray,

All the alphabet, grammar and syntax of love.

The garden smells are sweet,

Daisies spring in the turf under the high-heeled feet,

Dense, dark banks of laurel grow

Behind the wavering row

Of golden, flaxen, black, brown, auburn heads,

Behind the light and shimmering dresses

Of these unreal, modern shepherdesses ;

And gaudy flowers in formal patterned beds

Vary the dim long vistas of the park,

Far as the eye can see,

Till at the forest's edge the ground grows dark

And the flowers vanish in the obscurity.

The young girls gather round her,

Remembering eagerly how their fathers found her

Fresh as a spring-like wind in February,

Subtler in her moving heart than sun-motes that vary

At every waft of an opening and shutting door ;

They gather chattering near,

Hush, break out in laughter, whisper aside, Edward

Grow silent more and more, Shanks

Though she will never chide.

Now through the silence sounds her voice still clear,

And all give ear.

Like a silver thread through the golden afternoon,

Equably the voice discloses

All that age-old wisdom ; like an endless tune

Aristonoe's voice wavers among the roses,

Level and unimpassioned,

Telling them how of nothing love is fashioned,

How it is but a movement of the mind,

Bidding Celia mark

That light skirts fluttering in the wind,

Or white flowers stuck in dark

Glistening hair, have fired the dull beholder,

Or telling Anais

That faint indifference ere now hath bred a kiss

Denied to flaunted snowy breast or shoulder.

The girls attend,

Each thinking on her friend,

Whether he be real or imaginary,

Whether he be loving or cold ;

For each ere she grows old

Means to pursue her joy, and the whole unwary

Troop of their wishes has this wild quarry in cry,

That draws them ineluctably,

More and more as the summer slippeth by.

And Celia leans aside

To contemplate her black-silked ankle on the grass ;

In remote dreaming pride,

Rosalind recalls the image in her glass ;

Phillis through all her body feels

147

Edward How divine energy steals,

Shanks Quiescent power and resting speed,

Stretches her arms out, feels the warm blood run

Ready for pursuit, for strife and deed,

And turns her glowing face up to the sun.

Phillida smiles,

And lazily trusts her lazy wit,

A slow arrow that hath often hit ;

Chloe, bemused by many subtle wiles,

Grows not more dangerous for all of it,

But opens her red lips, yawning drowsily,

And shows her small white teeth,

Dimpling the round chin beneath,

And stretches, moving her young body deliciously.

And still the lesson goes on,

For this is an old story that is never done ;

And now the precept is of ribbon and shoe,

What with linens and silks love finds to do,

And how man's heart is tangled in a string

Or taken in gauze like a weak and helpless thing.

Chloe falls asleep ; and the long summer day

Drifts slowly past the girls and the warm roses,

Giving in dreams its hours away.

Now Stella throws her head back, and Phillis disposes

Her strong brown hands quietly in her lap,

And Rose's slender feet grow restless and tap

The turf to an imaginary tune.

Now all this grace of youthful bodies and faces

Is wrought to a glow by the golden weather of June ;

Now, Love, completing grace of all the graces,

Strong in these hearts thy pure streams rise,

Transmuting what they learn by heavenly alchemies.

Swift from the listeners the spell vanishes,

148

And through the tinkling, empty words, Edward

True thoughts of true love press, Shanks

Flying and wheeling nearer ;

As through a sunny sky a flock of birds

Against the throbbing blue grows clearer and clearer,

So closer come these thoughts and dearer.

Helen rises with a laugh ;

Chloe wakes ;

All the enchantment scatters off like chaff ;

The cord is loosened and the spell breaks.

Rosalind

Resolves that to-night she will be kind to her lover,

Unreflecting, warm and kind.

Celia tells the lessons over,

Counting on her fingers — one and two . . .

Ribbon and shoe,

Skirts, flowers, song, dancing, laughter, eyes . . .

Through the whole catalogue of formal gallantry

And studious coquetries,

Counting to herself maliciously.

But the old, the fading shepherdess, Aristonoe, Rises stiffly and walks alone

Down the broad path where densely the laurels grow, And over a little lawn, not closely mown, Where wave the flowering grass and the rich meadow- She seems to walk painfully now and slow, [sweet. And drags a little on her high-heeled feet. She stops at last below

An old and twisted plum-tree, whose last petal is gone, Leans on the comfortable, rugged bole, And stares through the green leaves at the drooping sun. The tree and the warm light comfort her ageing soul.

149

Edward On the other lawn behind her, out of sight,

Shanks The girls at play

Drive out melancholy by lively delight,

And the wind carries their songs and laughter away.

Some begin dancing and seriously tread

A modern measure up and down the grass,

Turn, slide with bending knees, and pass

With dipping hand and poising head,

Float through the sun in pairs, like newly shed

And golden leaves astray

Upon the warm wind of an autumn day,

When the Indian summer rules the air.

Others, having found,

Lying idly on the sun- hot ground,

Shuttlecocks and battledores,

Play with the buoyant feathers and stare

Dazzled at the plaything as it soars,

Vague against the shining sky,

Where light yet throbs and confuses the eye,

Then see it again, white and clear,

As slowly, poisedly it falls by

The dark green foliage and floats near.

But Celia, apart, is pensive and must sigh,

And Anais but faintly pursues the game.

An encroaching, inner flame

Burns in their hearts with the acrid smoke of unrest ;

But gaiety runs like quicksilver in Rose's breast,

And Phillis, rising,

Walks by herself with high and springy tread,

All her young blood racing from heels to head,

Breeding new desires and a new surprising

Strength and determination,

Whereof are bred

Confidence and joy and exultation.

The long day closes ; Edward

Rosalind's hour draws near, and Chloe's and Rose's, Shanks The hour that Celia has prayed, The hour for which Anais and Stella have stayed, When Helen shall forget her wit, And Phillida by a sure arrow at length be hit, And Phillis, the fleet runner, be at length overtaken ; When this bough of young blossoms By the rough, eager gatherers shall be shaken. Their eyes grow dim,

Their hearts flutter like taken birds in their bosoms, As the light dies out of heaven,

And a faint, delicious tremor runs through every limb, And faster the volatile blood through their veins is driven.

The long day closes ;

The last light fades in the amber sky ;

Warm through the warm dusk glow the roses,

And a heavier shade drops slowly from the trees,

While through the garden as all colours die

The scents come livelier on the quickening breeze.

The world grows larger, vaguer, dimmer,

Over the dark laurels a few faint stars glimmer ;

The moon, that was a pallid ghost,

Hung low on the horizon, faint and lost,

Comes up, a full and splendid golden round

By black and sharp-cut foliage overcrossed.

The girls laugh and whisper now with hardly a sound

Till all sound vanishes, dispersed in the night,

Like a wisp of cloud that fades in the moon's light,

And the garden grows silent and the shadows grow

Deeper and blacker below

The mysteriously moving and murmuring trees,

Edward That stand out darkly against the star-luminous Shanks sky ;

Huge stand the trees,

Shadowy, whispering immensities,

That rain down quietude and darkness on heart and eye.

None move, none speak, none sigh

But from the laurels comes a leaping voice

Crying in tones that seem not man's nor boy's,

But only joy's,

And hard behindja loud tumultuous crying,

A tangled skein of noise,

And the girls see their lovers come, each vying

Against the next in glad and confident poise,

Or softly moving

To the side of the chosen with gentle words and loving

Gifts for her pleasure of sweetmeats and jewelled toys.

Dear Love, whose strength no pedantry can stir,

Whether in thine iron enemies,

Or in thine own strayed follower

Bemused with subtleties and sophistries,

Now dost thou rule the garden, now

The gatherers' hands have grasped the scented bough.

Slow the sweet hours resolve, and one by one are

sped.

The garden lieth empty. Overhead A nightjar rustles by, wing touching wing, And passes, uttering His hoarse and whirring note. The daylight birds long since are fled, Nor has the moon yet touched the brown bird's throat.

152

All's quiet, all is silent, all around Edward

The day's heat rises gently from the ground, Shanks

And still the broad moon travels up the sky,

Now glancing through the trees and now so high

That all the garden through her rays are shed,

And from the laurels one can just descry

Where in the distance looms enormously

The old house, with all its windows black and dead.

'S3'

Edward

Shanks

As I lay in the early sun,

Stretched in the grass, I thought upori

My true love, my dear love,

Who has my heart for ever,

Who is my happiness when we meet,

My sorrow when we sever.

She is all fire when I do burn,

Gentle when I moody turn,

Brave when I am sad and heavy

And all laughter when I am merry.

And so I lay and dreamed and dreamed,

And so the day wheeled on,

While all the birds with thoughts like mine

Were singing to the sun.

FREDEGOND SHOVE

A DREAM IN EARLY SPRING Fredegond

Shove

Now when I sleep the thrush breaks through my dreams With sharp reminders of the coming day : After his call, one minute I remain Unwaked, and on the darkness which is Me There springs the image of a daffodil, Growing upon a grassy bank alone, And seeming with great joy his bell to fill With drops of golden dew, which on the lawn He shakes again, where they lie bright and chill.

His head is drooped ; the shrouded winds that sing

Bend him which way they will : never on earth

Was there before so beautiful a ghost.

Alas ! he had a less than flower-birth,

And like a ghost indeed must shortly glide

From all but the sad cells of memory,

Where he will linger, an imprisoned beam,

Or fallen shadow of the golden world,

Long after this and many another dream.

Fredegond THE WORLD

Shove

I wish this world and its green hills were mine,

But it is not ; the wandering shepherd star

Is not more distant, gazing from afar

On the unreaped pastures of the sea,

Than I am from the world, the world from me.

At night the stars on milky way that shine

Seem things one might possess, but this round green

Is for the cows that rest, these and the sheep :

To them the slopes and pastures offer sleep ;

My sleep I draw from the far fields of blue,

Whence cold winds come and go among the few

Bright stars we see and many more unseen.

Birds sing on earth all day among the flowers,

Taking no thought of any other thing

But their own hearts, for out of them they sing :

Their songs are kindred to the blossom heads,

Faint as the petals which the blackthorn sheds,

And like the earth — not alien songs as ours.

To them this greenness and this island peace

Are life and death and happiness in one ;

Nor are they separate from the white sun,

Or those warm winds which nightly wash the deep

Or starlight in the valleys, or new sleep ;

And from these things they ask for no release.

But we can never call this world our own, Because we long for it, and yet we know That should the great winds call us, we should go ; Should they come calling out across the cold, We should rise up and leave the sheltered fold And follow the great road to the unknown.

We should pass by the barns and haystacks brown, Fredegond

Should leave the wild pool and the nightingale ; Shove

Across the ocean we should set a sail

And, coming to the world's pale brim, should fly

Out to the very middle of the sky,

On past the moon ; nor should we once look down.

159

Fredegond THE NEW GHOST

Shove

' And he, casting away his garment, rose and came to Jesus.'

And he cast it down, down, on the green grass, Over the young crocuses, where the dew was — He cast the garment of his flesh that was full of death, And like a sword his spirit showed out of the cold sheath.

He went a pace or two, he went to meet his Lord, And, as I said, his spirit looked like a clean sword, And seeing him the naked trees began shivering, And all the birds cried out aloud as it were late spring.

And the Lord came on, He came down, and saw

That a soul was waiting there for Him, one without flaw,

And they embraced in the churchyard where the robins

play, And the daffodils hang down their heads, as they burn

away.

The Lord held his head fast, and you could see

That he kissed the unsheathed ghost that was gone

free —

As a hot sun, on a March day, kisses the cold ground ; And the spirit answered, for he knew well that his peace

was found.

The spirit trembled, and sprang up at the Lord's word —

As on a wild, April day, springs a small bird —

So the ghost's feet lifting him up, he kissed the Lord's

cheek, And for the greatness of their love neither of them could

speak.

160

But the Lord went then, to show him the way, Fredegond

Over the young crocuses, under the green may Shove

That was not quite in flower yet — to a far- distant land; And the ghost followed, like a naked cloud holding the sun's hand.

161

Fredegond A MAN DREAMS THAT HE IS THE CREATOR Shove

I sat in heaven like the sun Above a storm when winter was : I took the snowflakes one by one And turned their fragile shapes to glass : I washed the rivers blue with rain And made the meadows green again.

I took the birds and touched their springs,

Until they sang unearthly joys : They flew about on golden wings

And glittered like an angel's toys : I filled the fields with flowers' eyes, As white as stars in Paradise.

And then I looked on man and knew Him still intent on death — still proud ;

Whereat into a rage I flew

And turned my body to a cloud :

In the dark shower of my soul

The star of earth was swallowed whole.

162

J. C. SQUIRE

RIVERS J. C.

Squire

Rivers I have seen which were beautiful, Slow rivers winding in the flat fens, With bands of reeds like thronged green swords

Guarding the mirrored sky ; And streams down-tumbling from the chalk hills To valleys of meadows and watercress-beds, And bridges whereunder, dark weed-coloured shadows,

Trout flit or lie.

I know those rivers that peacefully glide Past old towers and shaven gardens, Where mottled walls rise from the water

And mills all streaked with flour ; And rivers with wharves and rusty shipping, That flow with a stately tidal motion Towards their destined estuaries

Full of the pride of power ;

Noble great rivers, Thames and Severn, Tweed with his gateway of many grey arches, Clyde, dying at sunset westward

In a sea as red as blood ; Rhine and his hills in close procession, Placid Elbe, Seine slaty and swirling, And Isar, son of the Alpine snows,

A furious turquoise flood.

All these I have known, and with slow eyes I have walked on their shores and watched them, And softened to their beauty and loved them Wherever my feet have been ;

J. C. And a hundred others also

Squire Whose names long since grew into me, That, dreaming in light or darkness, I have seen, though I have not seen.

Those rivers of thought : cold Ebro,

And blue racing Guadiana,

Passing white houses, high-balconied

That ache in a sun-baked land, Congo, and Nile and Colorado, Niger, Indus, Zambesi, And the Yellow River, and the Oxus,

And the river that dies in sand.

What splendours are theirs, what continents, What tribes of men, what basking plains, Forests and lion-hided deserts,

Marshes, ravines and falls : All hues and shapes and tempers Wandering they take as they wander From those far springs that endlessly

The far sea calls.

O in reverie I know the Volga That turns his back upon Europe, And the two great cities on his banks,

Novgorod and Astrakhan ; Where the world is a few soft colours, And under the dove-like evening The boatmen chant ancient songs,

The tenderest known to man.

And the holy river Ganges,

His fretted cities veiled in moonlight,

166

Arches and buttresses silver-shadowy J. C.

In the high moon, Squire

And palms grouped in the moonlight And fanes girdled with cypresses, Their domes of marble softly shining

To the high silver moon.

And that aged Brahmapootra Who beyond the white Himalayas Passes many a lamassery

On rocks forlorn and frore, A block of gaunt grey stone walls With rows of little barred windows, Where shrivelled young monks in yellow silk

Are hidden for evermore. . . .

But O that great river, the Amazon,

I have sailed up its gulf with eyelids closed,

And the yellow waters tumbled round,

And all was rimmed with sky, Till the banks drew in, and the trees' heads, And the lines of green grew higher And I breathed deep, and there above me

The forest wall stood high.

Those forest walls of the Amazon

Are level under the blazing blue

And yield no sound but the whistles and shrieks

Of the swarming bright macaws ; And under their lowest drooping boughs Mud-banks torpidly bubble, And the water drifts, and logs in the water

Drift and twist and pause.

167

J. C. And everywhere, tacitly joining,

Squire Float noiseless tributaries,

Tall avenues paved with water :

And as I silent fly The vegetation like a painted scene> Spars and spikes and monstrous fans And ferns from hairy sheaths up-springing, Evenly passes by.

And stealthier stagnant channels Under low niches of drooping leaves Coil into deep recesses :

And there have I entered, there To heavy, hot, dense, dim places Where creepers climb and sweat and climb, And the drip and splash of oozing water

Loads the stifling air.

Rotting scrofulous steaming trunks, Great horned emerald beetles crawling, Ants and huge slow butterflies

That had strayed and lost the sun ; Ah, sick I have swooned as the air thickened To a pallid brown ecliptic glow, And on the forest, fallen with languor,

Thunder has begun.

Thunder in the dun dusk, thunder Rolling and battering and cracking, The caverns shudder with a terrible glare

Again and again and again, Till the land bows in the darkness, Utterly lost and defenceless, Smitten and blinded and overwhelmed

By the crashing rods of rain.

1 68

And then in the forests of the Amazon, J. C.

When the rain has ended, and silence come, Squire

What dark luxuriance unfolds

From behind the night's drawn bars : The wreathing odours of a thousand trees And the flowers' faint gleaming presences, And over the clearings and the still waters

Soft indigo and hanging stars.

# * * *

O many and many are rivers, And beautiful are all rivers, And lovely is water everywhere

That leaps or glides or stays ; Yet by starlight, moonlight, or sunlight, Long, long though they look, these wandering eyes, Even on the fairest waters of dream,

Never untroubled gaze.

For whatever stream I stand by,

And whatever river I dream of,

There is something still in the back of my mind

From very far away ; There is something I saw and see not, A country full of rivers That stirs in my heart and speaks to me

More sure, more dear than they.

And always I ask and wonder

(Though often I do not know it) :

Why does this water not smell like water ?

Where is the moss that grew Wet and dry on the slabs of granite And the round stones in clear brown water ? — And a pale film rises before them

Of the rivers that first I knew.

J. C. Though famous are the rivers of the great world,

Squire Though my heart from those alien waters drinks

Delight however pure from their loveliness,

And awe however deep, Would I wish for a moment the miracle, That those waters should come to Chagford, Or gather and swell in Tavy Cleave Where the stones cling to the steep ?

No, even were they Ganges and Amazon In all their great might and majesty, League upon league of wonders,

I would lose them all, and more, For a light chiming of small bells, A twisting flash in the granite, The tiny thread of a pixie waterfall

That lives by Vixen Tor.

Those rivers in that lost country,

They were brown as a clear brown bead is.

Or red with the earth that rain washed down,

Or white with china-clay ; And some tossed foaming over boulders, And some curved mild and tranquil, In wooded vales securely set

Under the fond warm day.

Okement and Erme and Avon,

Exe and his ruffled shallows,

I could cry as I think of those rivers

That knew my morning dreams ; The weir by Tavistock at evening When the circling woods were purple, •And the Lowman in spring with the lent-lilies,

And the little moorland streams.

170

For many a hillside streamlet J. C.

There falls with a broken tinkle, Squire

Falling and dying, falling and dying,

In little cascades and pools, Where the world is furze and heather And flashing plovers and fixed larks, And an empty sky, whitish blue,

That small world rules.

There, there, where the high waste bog-lands

And the drooping slopes and the spreading valleys,

The orchards and the cattle-sprinkled pastures

Those travelling musics fill, There is my lost Abana, And there is my nameless Pharphar That mixed with my heart when I was a boy,

And time stood still.

And I say I will go there and die there :

But I do not go there, and sometimes

I think that the train could not carry me there,

And it's possible, maybe, That it's farther than Asia or Africa, Or any voyager's harbour, Farther, farther, beyond recall. . . .

O even in memory !

171

J. C. EPITAPH IN OLD MODE

Squire

The leaves fall gently on the grass,

And all the willow trees and poplar trees and elder trees

That bend above her where she sleeps,

O all the willow trees, the willow trees

Breathe sighs above her tomb.

O pause and pity as you pass.

She loved so tenderly, so quietly, so hopelessly ;

And sometimes comes one here and weeps —

She loved so tenderly, so tenderly,

And never told them whom.

172

SONNET J. C.

Squire There was an Indian, who had known no change,

Who strayed content along a sunlit beach Gathering shells. He heard a sudden strange

Commingled noise : looked up ; and gasped for

speech. For in the bay, where nothing was before,

Moved on the sea, by magic, huge canoes, With bellying cloths on poles, and not one oar,

And fluttering coloured signs and clambering crews.

And he, in fear, this naked man alone,

His fallen hands forgetting all their shells, His lips gone pale, knelt low behind a stone,

And stared, and saw, and did not understand,

Columbus's doom-burdened caravels

Slant to the shore, and all their seamen land.

'73

J. C. THE BIRDS

Squire

Within mankind's duration, so they say,

Khephren and Ninus lived but yesterday.

Asia had no name till man was old

And long had learned the use of iron and gold ;

And aeons had passed, when the first corn was planted,

Since first the use of syllables was granted.

Men were on earth while climates slowly swung,

Fanning wide zones to heat and cold, and long

Subsidence turned great continents to sea,

And seas dried up, dried up interminably,

Age after age ; enormous seas were dried

Amid wastes of land. And the last monsters died.

Earth wore another face. O since that prime Man with how many works has sprinkled time ! Hammering, hewing, digging tunnels, roads ; Building ships, temples, multiform abodes. How, for his body's appetites, his toils Have conquered all earth's products, all her soils; And in what thousand thousand shapes of art He has tried to find a language for his heart !

Never at rest, never content or tired :

Insatiate wanderer, marvellously fired,

Most grandly piling and piling into the air

Stones that will topple or arch he knows not where.

And yet did I, this spring, think it more strange, More grand, more full of awe, than all that change, And lovely and sweet and touching unto tears, That through man's chronicled and unchronicled years,

174

And even into that unguessable beyond J. C.

The water-hen has nested by a pond, Squire

Weaving dry flags, into a beaten floor,

The one sure product of her only lore.

Low on a ledge above the shadowed water

Then, when she heard no men, as nature taught her,

Plashing around with busy scarlet bill

She built that nest, her nest, and builds it still.

O let your strong imagination turn

The great wheel backward, until Troy unburn,

And then unbuild, and seven Troys below

Rise out of death, and dwindle, and outflow,

Till all have passed, and none has yet been there :

Back, ever back. Our birds still crossed the air ;

Beyond our myriad changing generations

Still built, unchanged, their known inhabitations.

A million years before Atlantis was

Our lark sprang from some hollow in the grass,

Some old soft hoof-print in a tussock's shade ;

And the wood-pigeon's smooth snow-white eggs were

laid,

High, amid green pines' sunset-coloured shafts, And rooks their villages of twiggy rafts Set on the tops of elms, where elms grew then, And still the thumbling tit and perky wren Popped through the tiny doors of cosy balls And the blackbird lined with moss his high-built walls ; A round mud cottage held the thrush's young, And straws from the untidy sparrow's hung. And, skimming forktailed in the evening air, When man first was were not the martens there ? Did not those birds some human shelter crave, And stow beneath the cornice of his cave

'75

J. C. Their dry tight cups of clay ? And from each door

Squire Peeped on a morning wiseheads three or four.

Yes, daw and owl, curlew and crested hern, Kingfisher, mallard, water-rail and tern, Chaffinch and greenfinch, warbler, stonechat, ruff, Pied wagtail, robin, fly-catcher and chough, Missel-thrush, magpie, sparrow-hawk, and jay, Built, those far ages gone, in this year's way. And the first man who walked the cliffs of Rame, As I this year, looked down and saw the same Blotches of rusty red on ledge and cleft With grey-green spots on them, while right and left A dizzying tangle of gulls were floating and flying, Wheeling and crossing and darting, crying and crying, Circling and crying, over and over and over, Crying with swoop and hover and fall and recover. And below on a rock against the grey sea fretted, Pipe- necked and stationary and silhouetted, Cormorants stood in a wise, black, equal row Above the nests and long blue eggs we know.

O delicate chain over all the ages stretched,

O dumb tradition from what far darkness fetched :

Each little architect with its one design

Perpetual, fixed and right in stuff and line,

Each little ministrant who knows one thing,

One learned rite to celebrate the spring.

Whatever alters "else on sea or shore,

These are unchanging : man must still explore.

W. J. TURNER

SILENCE W. J.

Turner

It was bright day and all the trees were still In the deep valley, and the dim Sun glowed ; The clay in hard-baked fire along the hill Leapt through dark trunks to apples green and gold, Smooth, hard and cold, they shone like lamps of stone

They were bright bubbles bursting from the trees, Swollen and still among the dark green boughs ; On their bright skins the shadows of the leaves Seemed the faint ghosts of summers long since gone, Faint ghosts of ghosts, the dreams of ghostly eyes.

There was no sound between those breathless hills. Only the dim Sun hung there, nothing moved ; The thronged, massed, crowded multitude of leaves Hung like dumb tongues that loll and gasp for air : The grass was thick and still, between the trees.

There were big apples lying on the ground, Shining, quite still, as though they had been stunned By some great violent spirit stalking through, Leaving a deep and supernatural calm Round a dead beetle upturned in a furrow.

A valley filled with dark, quiet, leaf-thick trees, Loaded with green, cold, faintly shining suns ; And in the sky a great dim burning disc! — Madness it is to watch these twisted trunks And to see nothing move and hear no sound !

Let's make a noise, Hey ! . . . Hey ! . . .Hullo ! Hullo !

179

W. J. KENT IN WAR

Turner

The pebbly brook is cold to-night,

Its water soft as air, A clear, cold, crystal-bodied wind

Shadowless and bare, Leaping and running in this world Where dark-horned cattle stare :

Where dark-horned cattle stare, hoof-firm On the dark pavements of the sky,

And trees are mummies swathed in sleep And small dark hills crowd wearily :

Soft multitudes of snow-grey clouds Without a sound march by.

Down at the bottom of the road

I smell the woody damp Of that cold spirit in the grass,

And leave my hill- top camp — Its long gun pointing in the sky —

And take the Moon for lamp.

I stop beside the bright cold glint Of that thin spirit in the grass,

So gay it is, so innocent !

I watch its sparkling footsteps pass

Lightly from smooth round stone to stone, Hid in the dew- hung grass.

My lamp shines in the globes of dew, And leaps into that crystal wind

Running along the shaken grass To each dark hole that it can find —

180

The crystal wind, the Moon my lamp, W. J.

Have vanished in a wood that's blind. Turner

High lies my small, my shadowy camp,

Crowded about by small dark hills ; With sudden small white flowers the sky

Above the woods' dark greenness fills ; And hosts of dark-browed, muttering trees

In trance the white Moon stills.

I move among their tall grey forms, A thin moon-glimmering, wandering Ghost,

Who takes his lantern through the world In search of life that he has lost,

While watching by that long lean gun Up on his small hill post.

181

W. J. TALKING WITH SOLDIERS

Turner

The mind of the people is like mud,

From which arise strange and beautiful things,

But mud is none the less mud,

Though it bear orchids and prophesying Kings,

Dreams, trees, and water's bright babblings.

It has found form and colour and light, The cold glimmer of the ice- wrapped Poles ; It has called a far-off glow Arcturus, And some pale weeds, lilies of the valley.

It has imagined Virgil, Helen and Cassandra ; The sack of Troy, and the weeping for Hector — Rearing stark up 'mid all this beauty In the thick, dull neck of Ajax.

There is a dark Pine in Lapland,

And the great, figured Horn of the Reindeer,

Moving soundlessly across the snow,

Is its twin brother, double-dreamed,

In the mind of a far-off people.

It is strange that a little mud Should echo with sounds, syllables, and letters, Should rise up and call a mountain Popocatapetl, And a green-leafed wood Oleander.

These are the ghosts of invisible things ; There is no Lapland, no Helen and no Hector, And the Reindeer is a darkening of the brain, And Oleander is but Oleander.

182

Mary Magdalena and the vine Lachryma Christi W. J. Were like ghosts up the ghost of Vesuvius, Turner

As I sat and drank wine with the soldiers, As I sat in the Inn on the mountain, Watching the shadows in my mind.

The mind of the people is like mud,

Where are the imperishable things,

The ghosts that flicker in the brain —

Silent women, orchids, and prophesying Kings,

Dreams, trees, and water's bright babblings !

'83

W J. SONG

Turner

Gently, sorrowfully sang the maid Sowing the ploughed field over, And her song was only : ' Come, O my lover ! '

Strangely, strangely shone the light, Stilly wound the river :

' Thy love is a dead man, He'll come back never.'

Sadly, sadly passed the maid The fading dark hills over ;

Still her song far, far away said : ' Come, O my lover ! '

THE PRINCESS W. J.

Turner

The stone-grey roses by the desert's rim Are soft-edged shadows on the moonlit sand, Grey are the broken walls of Khangavar, That haunt of nightingales, whose voices are Fountains that bubble in the dream-soft Moon.

Shall the Gazelles with moonbeam pale bright feet Entering the vanished gardens sniff the air — Some scent may linger of that ancient time, Musician's song, or poet's passionate rhyme, The Princess dead, still wandering love-sick there.

A Princess pale and cold as mountain snow, In cool, dark chambers sheltered from the sun, With long dark lashes and small delicate hands : All Persia sighed to kiss her small red mouth Until they buried her in shifting sand.

And the Gazelles shall flit by in the Moon And never shake the frail Tree's lightest leaves, And moonlight roses perfume the pale Dawn Until the scarlet life that left her lips Gathers its shattered beauty in the sky.

W. J. PEACE

Turner

In low chalk hills the great King's body lay,

And bright streams fell, tinkling like polished tin,

As though they carried off his armoury,

And spread it glinting through his wide domain.

Old bearded soldiers sat and gazed dim-eyed At the strange brightness flowing under trees, And saw his sword flashing in ancient battles, And drank, and swore, and trembled helplessly.

And bright-haired maidens dipped their cold white

arms,

And drew them glittering colder, whiter, still ; The sky sparkled like the dead King's blue eye Upon the sentries that were dead as trees.

His shining shield lay in an old grey town, And white swans sailed so still and dreamfully, They seemed the thoughts of those white, peaceful hills Mirrored that day within his glazing eyes.

And in the square the pale cool butter sold, Cropped from the daisies sprinkled on the downs, And old wives cried their wares, like queer day owls. Piercing the old men's sad and foolish dreams.

And Time flowed on till all the realm forgot The great King lying in the low chalk hills ; Only the busy water dripping through His hard white bones knew of him lying there.

186

DEATH W. J.

Turner

When I am dead a few poor souls shall grieve As I grieved for my brother long ago.

Scarce did my eyes grow dim,

I had forgotten him ; I was far-off hearing the spring winds blow,

And many summers burned When, though still reeling with my eyes aflame,

I heard that faded name Whispered one Spring amid the hurrying world

From which, years gone, he turned.

I looked up at my windows and I saw

The trees, thin spectres sucked forth by the moon.

The air was very still

Above a distant hill ; It was the hour of night's full silver moon.

' O are thou there my brother ? ' my soul cried ; And all the pale stars down bright rivers wept,

As my heart sadly crept About the empty hills, bathed in that light

That lapped him when he died.

Ah ! it was cold, so cold ; do I not know How dead my heart on that remembered day !

Clear in a far-away place

I see his delicate face Just as he called me from my solitary play,

Giving into my hands a tiny tree. We planted it in the dark, blossomless ground

Gravely, without a sound ; Then back I went and left him standing by

His birthday gift to me.

W. J. In that far land perchance it quietly grows

Turner Drinking the rain, making a pleasant shade ;

Birds in its branches fly

Out of the fathomless sky Where worlds of circling light arise and fade.

Blindly it quivers in the bright flood of day, Or drowned in multitudinous shouts of rain

Glooms o'er the dark-veiled plain — Buried below, the ghost that's in his bones

Dreams in the sodden clay.

And, while he faded, drunk with beauty's eyes

I kissed bright girls and laughed deep in dumb trees,

That stared fixt in the air

Like madmen in despair Gaped up from earth with the escaping breeze.

I saw earth's exaltation slowly creep Out of their myriad sky-embracing veins.

I laughed along the lanes, Meeting Death riding in from the hollow seas

Through black- wreathed woods asleep.

I laughed, I swaggered on the cold hard ground — Through the grey air trembled a falling wave —

' Thou'rt pale, O Death ! ' I cried,

Mocking him in my pride ; And passing I dreamed not of that lonely grave,

But of leaf-maidens whose pale, moon-like hands Above the tree-foam waved in the icy air,

Sweeping with shining hair Through the green-tinted sky, one moment fled

Out of immortal lands.

188

One windless Autumn night the Moon came out W. J.

In a white sea of cloud, a field of snow ; Turner

In darkness shaped of trees,

I sank upon my knees And watched her shining, from the small wood below —

Faintly Death flickered in an owl's far cry — We floated soundless in the great gulf of space,

Her light upon my face — Immortal, shining in that dark wood I knelt

And knew I could not die.

And knew I could not die — O Death, didst thou Heed my vain glory, standing pale by thy dead ?

There is a spirit who grieves

Amid earth's dying leaves ; Was't thou that wept beside my brother's bed ?

For I did never mourn nor heed at all Him passing on his temporal elm- wood bier ;

I never shed a tear. The drooping sky spread grey- winged through my soul,

While stones and earth did fall.

That sound rings down the years — I hear it ye, — All earthly life's a winding funeral —

And though I never wept,

But into the dark coach stept, Dreaming by night to answer the blood's sweet call,

She who stood there, high-breasted, with small, wise

lips, And gave me wine to drink and bread to eat,

Has not more steadfast feet, But fades from my arms as fade from mariners' eyes

The sea's most beauteous ships.

189

W. J. The trees and hills of earth were once as close

Turner As my own brother, they are becoming dreams And shadows in my eyes ; More dimly lies Guaya deep in my soul, the coastline gleams

Faintly along the darkening crystalline seas. Glimmering and lovely still, 'twill one day go ;

The surging dark will flow Over my hopes and joys, and blot out all Earth's hills and skies and trees.

I shall look up one night and see the Moon For the last time shining above the hills,

And thou, silent, wilt ride

Over the dark hillside. 'Twill be, perchance, the time of daffodils —

' How come those bright immortals in the woods ? Their joy being young, didst thou not drag them all

Into dark graves ere Fall ? ' Shall life thus haunt me, wondering, as I go

To thy deep solitudes ?

There is a figure with a down-turned torch Carved on a pillar in an olden time,

A calm and lovely boy

Who comes not to destroy But to lead age back to its golden prime.

Thus did an antique sculptor draw thee, Death, With smooth and beauteous brow and faint sweet smile,

Not haggard, gaunt and vile, And thou perhaps art thus to whom men may,

Unvexed, give up their breath.

190

But in my soul thou sittest like a dream W. J.

Among earth's mountains, by her dim- coloured seas ; Turner

A wild unearthly Shape

In thy dark-glimmering cape, Piping a tune of wavering melodies,

Thou sittest, ay, thou sittest at the feast Of my brief life among earth's bright-wreathed flowers,

Staining the dancing hours With sombre gleams until, abrupt, thou risest

And all, at once, is ceased.

191

BIBLIOGRAPHY

(Some of these lists, which include poetical works only, are incomplete).

LASCELLES ABERCROMBIE

Interludes and Poems John Lane 1908

Mary and the Bramble The Author 1910

(out of print)

*The Sale of St.Thomas (out of print) „ 1911

Emblems of Love John Lane 1912

Deborah (Play) „ 1912

GORDON BOTTOMLEY

The Crier by Night Unicorn Press 1902

(Play) (out of print)

The Gate of Smaragdus Elkin Mathews 1904

Midsummer Eve (Pas- Peartree Press 1905

toral) (out of print)

Chambers of Imagery I Elkin Mathews 1907

The Riding to Lithend (Play) Peartree Press 1909 Vision of Giorgione T.B.Mosher, U.S.A. 1910

Chambers of Imagery II Elkin Mathews 1912 King Lear's Wife (inGeorgian Poetry 1913-1915) Plays (in preparation) Constable

FRANCIS BRETT YOUNG

Five Degrees South Martin Seeker 1917

Poems 1916-1918 Collins I9I9

WILLIAM H. DAVIES

The Soul's Destroyer Alston Rivers 1906

New Poems Elkin Mathews 1907

Nature Poems A. C. Fifield 1908

Farewell to Poetry „ 1910

Songs of Joy „ 1911 * Reprinted in Georgian Poetry 1911-1912.

'93

Foliage JElkin Mathews 1913

The Bird of Paradise Methuen 1914

Child Lovers A. C. Fifield 1916

Collected Poems „ 1916

*Raptures Beaumont Press 1918

Forty New Poems A. C. Fifield 1918

WALTER DE LA MARE

Poems Murray 1906

The Listeners Constable 1912

A Child's Day „ 1912

Peacock Pie „ 1913

Songs of Childhood Longmans 1916

(New Edition)

fThe Sunken Garden Beaumont Press 1917

Motley Constable 1917 Collected Poems (in preparation) „

JOHN DRINKWATER

Poems of Men and Hours David Nutt 1911

Cophetua (Play) „ 1911

Poems of Love and Earth „ 1912

Cromwell „ 1913

Rebellion (Play) „ 1914 Swords and Ploughshares Sidgwick & Jackson 1915

Olton Pools „ „ 1916

Poems, 1908-1914 „ „ 1917

Pawns (Plays) „ „ 1917

Tides Beaumont Press 1917 Tides (with additions) Sidgwick & Jackson 1917

Loyalties Beaumont Press 1918

„ (with additions) Sidgwick & Jackson 1918

Lincoln (prose play with Chorus) „ „ 1918

* Reprinted with additional poems in Forty New Poems. t Reprinted with additional poems in Motley.

[94

JOHN FREEMAN
Twenty Poems	Gay & Hancock	1909
Fifty Poems (new edition)	Selwyn & Blount	1916
Stone Trees	,, „	1916
Presage of Victory	» n	1916
Memories of Childhood	Morland Press	1918
„ and other Poems	Selwyn & Blount	1919
WILFRID WILSON GIBSON
Stonefolds	Elkin Mathews	1907
Akra the Slave	„ „	1910
Daily Bread	„ „	1910
Fires	» ii	19^3
Borderlands	„ „	1914
Thoroughfares	» n	1914
Battle	n »>	I9I5
Friends	>> ii	1916
Livelihood	Macmillan	1917
Collected Poems	Macmillan Co., New
	York	1917
Whin	Macmillan	1918
Home	Beaumont Press	1919
ROBERT GRAVES
Over the Brazier	Poetry Bookshop	1916
Fairies and Fusiliers	Heinemann	1917
Country Sentiment	Seeker	1919
D. H. LAWRENCE
Love Poems	Duckworth	1913
Amores	ii	1916
Look ! We Have Come	Chatto & Windus	1917
Through !
New Poems	Martin Seeker	1918
HAROLD MONRO
Judas	Sampson Low	1908
Before Dawn	Constable	1911
		'95

Children of Love Poetry Bookshop 1914

Strange Meetings „ „ 1917

THOMAS MOULT Contributions to Voices

1919

ROBERT NICHOLS

Invocation Elkin Mathews 1915

Ardours and Endurances Chatto & Windus 1917

The Budded Branch Beaumont Press, 1918

SIEGFRIED SASSOON

The Old Huntsman Heinemann 1917

Counter Attack „ 1918

Picture Show (privately Cambridge University

printed) Press 1919

War Poems Heinemann 1919

EDWARD SHANKS

Songs (out of print) Poetry Bookshop 1915

Poems Sidgwick & Jackson 1916

The Queen of China Martin Seeker 1919

FREDEGOND SHOVE

Dreams and Journeys Blackwell 1919

J. C. SQUIRE

Imaginary Speeches (verse

and prose) Allen & Unwin 1912

Steps to Parnassus Allen & Unwin 1913

The Survival of the Fittest „ „ 1916

Tricks of the Trade Martin Seeker 1917

Poems : First Series „ „ 1918

The Birds and other Poems „ „ I9I9

W. J. TURNER

The Hunter Sidgwick & Jackson 1916

The Dark Fire „ „ 1918

196

Georgian Poetry (i) 1911 — 1911

Edited by E. M.

Pp. 197. THIRTEENTH THOUSAND. Brown Boards.

Price 6s. net (postage 4d).

Georgian Poetry (n)

I9I3— 1915

Edited by E. M.

Pp. 244. TWELFTH THOUSAND. Blue Boards.

Price 6s. net (postage 5d).

Georgian Poetry (in) 1916 — 1917

Edited by E. M.

Pp. 1 86. ELEVENTH THOUSAND. Green Boards.

Price 6s. net (postage 4d).

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